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ANDO'S NEW MODERN
The opening of a new building designed by world-renowned architect Tadao Ando of Osaka, Japan at the end of 2002 marked the 110th anniversary of The Modern Art Museum of Fort Worth. With 53,000 square feet (4,900 square meters) of gallery space, the new structure for "The Modern," as it is known by locals, is Ando's largest commission in the United States to date. Published 2003.0115
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POSTCARD FROM TANZANIA
Dear ArchitectureWeek,
While traveling on the Serengeti Plain in Tanzania we visited a Masai village. The village is built in a circle with a large wall around it and several entrances. Every night the Masai bring all their cattle into the center of the village and close up the entrances to protect them from lions and other predators. Published 2002.1218
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2X4 SPACE SCULPTURE
In the summer of 2002, the Center on Contemporary Art in Seattle hosted an exhibit called "Blurred," featuring work that blurs the boundaries between art and architecture. As an experiment for the show, designer James Harrison built a room-size structure by stacking short lengths of wood. Every piece was a two-foot long 2x4 (3.8 by 8.9 by 61 centimeters). "The idea," says Harrison, who was trained in both architecture and sculpture, "was to see how much plasticity I could achieve out of a regularly repeated module." It took him two days to cut the blocks and five days to stack them. Published 2002.1218
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AVAILING FASHION
Designed by architect Jun Aoki, the new flagship store of the French fashion house Louis Vuitton on Tokyo's Omotesando Boulevard resembles a pile of trunks of different sizes and patterns, honoring Vuitton's origin as a trunk manufacturer. Examine the facade more closely, though, and you'll see an industrial-looking system of wire mesh curtains that create the fashionable effect. Published 2002.1211
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HOUSING BY HOLL
A new dormitory at the Massachusetts Institute of Technology seems tailor-made for the school's super-geek culture. The building by Steven Holl has been compared variously to a giant Rubik's Cube and a 1950s computer punch card. Published 2002.1120
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PLAYING UPON THE STAGE
"All the world's a stage," William Shakespeare wrote in As You Like It, but if he were performing in the 21st century, he'd probably take advantage of recent innovations in indoor theater design. In the spirit of the Elizabethan bard, a new building at the Oregon Shakespeare Festival in Ashland resets the standard for flexibility in repertory theaters. Published 2002.1113
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IKEA THREATENS BREUER ICON
On November 7, 2002, the Board of Aldermen of the City of New Haven, Connecticut voted to approve a development proposal from IKEA, an international retailer of designer furnishings. IKEA proposes to build a major new store on an industrial landfill site known as Long Wharf, bringing much-needed jobs and tax revenue to the city. However, unless IKEA changes its current plans, construction of the facility's parking lot will result in the demolition of a substantial part of the Pirelli Building, designed by Marcel Breuer in 1969 for the Armstrong Tire Company. Published 2002.1113
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THEATRICAL CONSCIOUSNESS
The newly opened Mondavi Center, for music, dance, and theater, is part of a master plan for the University of California at Davis aimed at creating a new image for the campus. Overcoming the special challenges of designing "green" in a performing arts center, BOORA Architects and Arup engineers have made the building a model of sustainability. Published 2002.1106
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BASICS - CLAY TILE ROOFING
Tile roofing accommodates various building traditions and climatic conditions, and it now accounts for over eight percent of the residential steep-slope roofing market in the United States for new construction and about three percent for reroofing. And in much of the world, earthy, fire-safe, long-lasting tile is the dominant roofing material. Published 2002.1030
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APARTMENTS OUTSIDE THE BOX
There has been a recent growth spurt of highrise apartment development along Manhattan's avenues. Although these buildings strengthen street-level pedestrian activity, replacing congested parking lots with shops and restaurants, their predictable appearance means that the population of New York is being denied high-quality design. Published 2002.1016
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