YALE CENTER FOR BRITISH ART The Yale Center for British Art, in New Haven, Connecticut, is considered to be among the finest structures of noted architect Louis I. Kahn. Begun in 1973, one year before his death, and opened to the public in 1977, the museum was built to house the most comprehensive collection of British art outside the United Kingdom. — Published 2005.0302
	MIXED SMOKE SIGNALS Washington D.C. has long been a conservative city for architecture, at least since Pierre L'Enfant laid out the city in 1791. As decreed by the McMillan Plan of the early 1900s, buildings could be no taller than the U.S. Capitol dome. This has resulted in a low-scale skyline that some find retrograde for a world capital. — Published 2005.0105
	NEW YORK TOLERANCE CENTER In an era when immersive multimedia experiences are associated with frivolous but violent games, one small building in Manhattan is harnessing these technologies to teach important lessons of peaceful coexistence. The New York Tolerance Center was designed by NBBJ to help people and organizations explore issues of prejudice, diversity, and cooperation in the community and the workplace. — Published 2004.0825
	SKYLIGHTING SCULPTURE When Texas entrepreneur Raymond Nasher asked for a "roofless museum" for his extensive sculpture collection, his architects and their consultants delivered a unique interpretation. The Nasher Sculpture Center, which opened in downtown Dallas in 2003, is a synthesis of nature and building: a sculpture garden and a building with a roof that's "open" to the light of the sky. — Published 2004.0310
	PIANO'S BEYELER FOUNDATION MUSEUM Modern-art collector Ernst Beyeler wanted a tranquil, naturally lit environment for his paintings, despite conventional wisdom that would exclude all sunlight from most art collections. He had been impressed by the building designed by Italian architect Renzo Piano for the Menil Collection — a nonmonumental space open to contact with nature, facilitating a direct and relaxed relationship between visitor and artifact. — Published 2003.1105
	MOSHE SAFDIE PEABODY ESSEX ADDITION Moshe Safdie's architecture continues to intrigue. Buildings such as the National Gallery in Ottawa, the Skirball Cultural Center in Los Angeles, Exploration Place Science Center and Children's Museum in Wichita, Kansas, and the Vancouver Public Library in Canada each exhibit the Israeli-born architect's passion for complex geometries, elegant materials, and urban place-making. The new $125 million addition to the Peabody Essex Museum in Salem, Massachusetts, is no exception. — Published 2003.0820
	ANDO'S NEW MODERN The opening of a new building designed by world-renowned architect Tadao Ando of Osaka, Japan at the end of 2002 marked the 110th anniversary of The Modern Art Museum of Fort Worth. With 53,000 square feet (4,900 square meters) of gallery space, the new structure for "The Modern," as it is known by locals, is Ando's largest commission in the United States to date. — Published 2003.0115
	CULLINAN THROWS A CURVE As the sun rises on a damp, misty morning in the heart of England's South Downs, you can hear the large shimmering giant creak as it awakens. These organic curves are a rarity — the Downland Gridshell is only one of five such structures in the world. It was designed by Edward Cullinan Architects, engineered by Buro Happold, and short-listed for the 2002 Stirling Prize. — Published 2003.0108
	MUSEUM OF GLASS BY ARTHUR ERICKSON Amid a scruffy sprawl of warehouses and marinas, on a former brownfield site in Tacoma, Washington, sits the sparkling new Museum of Glass. Subtitled the International Center for Contemporary Art, this is the most recent hope for reviving Tacoma's lackluster downtown core. The 75,000-square-foot (7000-square-meter), $63 million project was designed by the preeminent Canadian architect Arthur Erickson in collaboration with Nick Milkovich Architects Inc., of Vancouver, British Columbia, and Thomas Cook Reed Reinvald, of Tacoma. — Published 2002.1009
	KAHN'S YALE UNIVERSITY ART GALLERY The Yale University Art Gallery in New Haven, Connecticut (1951-53) was the first significant commission of Louis Kahn and his first architectural masterpiece. Historians Kenneth Frampton and Vincent Scully consider this work Kahn's response to the desire for a new monumentality in the post-World War II period. — Published 2002.0710

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