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  • Museums - 03
    Museums page: [prev] | 01 | 02 | 03 | 04 | 05 | 06 | [next]

    ArchWeek Image

    NEW YORK NEW MUSEUM

    As you make your way east on Prince Street from Sixth Avenue in lower Manhattan, a pile of shimmering cubes rises at the end of Prince as it dead-ends at the Bowery. What is it? There are no windows in sight. A puffy white cloud slowly passes behind it and the silvery tower seems to disappear inside the cumulus skycraft. — Published 2008.0820

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    ArchWeek Image

    DESERT MUSEUMS IN PLATINUM

    Another building type shattered the dual-glazed, low-e glass ceiling in April 2008 when the U.S. Green Building Council first awarded LEED Platinum certification to a museum complex. — Published 2008.0813

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    ArchWeek Image

    STONE HILL CENTER BY TADAO ANDO

    Think of the architecture of Tadao Ando, and images of sleek, smooth concrete are sure to fill the mind's eye. — Published 2008.0806

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    ArchWeek Image

    ART IN BEIJING

    With Beijing hosting the 2008 Summer Olympic Games, the Chinese government has sought, like a typical Olympic host, to make a statement about the country's progress. In China's case, this has included some ambitious and high-profile architecture projects, such as Herzog & de Meuron's spectacular bird's-nest-like National Stadium. — Published 2008.0716

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    ArchWeek Image

    BROAD CONTEMPORARY ART MUSEUM

    The Los Angeles County Museum of Art (LACMA) has traditionally been known for two things: its status as the largest encyclopedic art museum in the western United States, and its schizophrenic campus.

    Bolstering the former and addressing the latter, LACMA has unveiled a long-awaited free-standing addition to its collection: the Broad Contemporary Art Museum (BCAM), designed by Renzo Piano Building Workshop in conjunction with executive architect Gensler. — Published 2008.0507

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    ArchWeek Image

    A BLOCK IN TEMPLE BAR

    O'Donnell + Tuomey Architects spent ten years working on one block in Temple Bar, the cultural quarter of Dublin, Ireland.

    We started on conversion of the former Quaker Meeting House into the Irish Film Centre in 1986. Meeting House Square, with the National Photographic Archive and the Gallery of Photography, was opened to the public in 1996. — Published 2008.0130

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    ArchWeek Image

    CONTEMPORARY ART MUSEUM OF CASTILLA AND LEÓN

    The Contemporary Art Museum of Castilla and León (MUSAC) by Spanish architects Mansilla + Tuñón, located in León, Spain, reflects van der Rohe's philosophy in its minimalist architectural language — and the museum won the 2007 Mies van der Rohe Award, the European Union Prize for Contemporary Architecture. At the same time, its design works to redefine both the role of a museum with respect to its cultural context and the way people experience museums. — Published 2008.0102

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    ArchWeek Image

    DAVID CHIPPERFIELD STIRLING PRIZE

    The Stirling Prize for 2007 has been awarded to the Museum of Modern Literature in Marbach am Neckar, Germany, designed by David Chipperfield Architects. With a spare colonnade around its boxy, minimalist form, the Museum (Literaturmuseum der Moderne) is something of a neoclassical Parthenon, helping the larger cluster of buildings — which also includes the National Schiller Museum (1903) and the Archive for German Literature (1970s) — come together as a seeming Acropolis atop its ridge overlooking the River Neckar. — Published 2007.1010

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    ArchWeek Image

    NELSON-ATKINS MUSEUM OF ART

    The Nelson-Atkins Museum of Art in Kansas City, Missouri, recently underwent a complete overhaul — and the glowing lenses of the new Bloch Building, designed by Steven Holl Architects, are just the tip of the iceberg. — Published 2007.0905

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    ArchWeek Image

    THE SUSTAINABILITY OF NINA MARITZ

    Architects practicing in wealthy countries are becoming increasingly aware that our resources are finite and that if climate change goes unchecked, we could face a much warmer, harsher environment. Scientists present us with images of expanding deserts, sinking water tables, and material scarcity.

    For Namibian architect Nina Maritz, the challenges of working in a harsh environment with limited means are already an everyday reality. Her work presents a model for making compelling buildings despite "a poverty of resources." — Published 2007.0613

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    Museums page: [prev] | 01 | 02 | 03 | 04 | 05 | 06 | [next]

     

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