BASICS - STAIRS, RAMPS, AND SLOPES Stairs, ramps, and slopes are specific types of flooring assemblies that join two or more different levels. Their design is guided, in part, by larger design intentions that involve human movement through space, along with scale, location, orientation, wayfinding strategies, and their contextual fit within the immediate and surrounding environment. — Published 2012.0418
	CREATING THE KENNEDY CENTER The John F. Kennedy Center for the Performing Arts was problematic for the office of architect Edward Durell Stone. At the project's inception as the National Cultural Center, Washington, D.C., had lacked a venue for performing arts commensurate with the city's role in the life of the nation and the world. — Published 2012.0208
	AUSTRALIAN ARCHITECTURE AWARDS 2011 On a tiny site measuring only seven by six meters (23 by 20 feet), a compact new home rises four and a half stories amidst the urban fabric of Surry Hills, an inner-city suburb of Sydney, Australia. Designing for himself and his partner, Sue Bassett, architect Domenic Alvaro achieved an unexpected sense of expansiveness within this small space through the use of large precast concrete panels and plate-glass windows, with minimal additional interior detailing. — Published 2012.0125
	DANIEL LIBESKIND'S PERSPECTIVE ArchitectureWeek  You tend to take on or win projects with a great deal of emotional symbolism. Is there anything in particular about your past work or personal history that you think resonates with people? How did this feature, for example, in your design for New York City's Ground Zero Master Plan? — Published 2012.0118
	ANATOMY OF METABOLISM The exhibit "Metabolism, the City of the Future" at the Mori Art Museum in Tokyo is a major retrospective looking at Japan's most widely known and perhaps least understood modern architecture movement. Subtitled "Dreams and Visions of Reconstruction in Postwar and Present-Day Japan," the exhibit throws up images depicting a sci-fi world of floating cities, metropolises in the sky, and soaring geometric shapes and patterns repeated over and over with little apparent correspondence to the psychological needs of humans. — Published 2011.1214
	AIA'S BEST NEW BUILDINGS FROM CHICAGO A glass dome rises from a lawn on the University of Chicago campus. The ellipsoidal structure by Murphy/Jahn — a counterpoint in form and materials to the eclectic buildings around it — is a refined tip of the iceberg for the Joe and Rika Mansueto Library. — Published 2011.1207
	WILLIAM WURSTER - HOUSES Thinking back, an image that most endures in my mind is the white tower and compound of William Wurster's Gregory House (1929) in the Santa Cruz Mountains. The Gregory Farmhouse, as it's usually referenced, is a misnomer: it is a country retreat designed and built between 1927 and 1929, a place of the soul, no doubt, for a very sophisticated San Francisco family. — Published 2011.1130
	MOSHE SAFDIE BUILDS FOR PEACE From the intersection of 23rd Street and Constitution Avenue in Washington, D.C., at a corner of the U.S. National Mall near the Potomac River, the grandeur of the Lincoln Memorial is due south, and war-related memorials to Vietnam veterans, World War II, and George Washington, among others, unfold to the left, southeastward. — Published 2011.1109
	LEED-EB O&M AT THE ROSE GARDEN ARENA In the last few years, fans of the Portland Trail Blazers may have noticed some changes to the Rose Garden arena, the basketball team's home court in Portland, Oregon. The white roof may look a bit brighter, after cleaning to improve solar reflectivity. Inside, conventional trash cans have been replaced by 300 receptacles for enhanced recycling and compost disposal. Outside, bicycle racks have proliferated, now accommodating 100 additional bikes. — Published 2011.1026
	2011 STIRLING PRIZE SHORTLIST The Stirling Prize for 2011 goes to Evelyn Grace Academy by Zaha Hadid Architects, chosen from a shortlist of six outstanding projects. In this article, ArchitectureWeek documents the five outstanding projects that were shortlisted but didn't get the Stirling Prize, with commentary from the RIBA jury. Project   Velodrome — Published 2011.1005

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