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  • Houses, Large and Small - 03
    Houses, Large and Small page: [prev] | 01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 | [next]

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    HEADING FOR NET-ZERO

    Some projects come along at pivotal moments. Such was the case for the Rose House in Portland, Oregon, a compact home that served as a laboratory for energy-efficient residential design in 2004, and ended up setting the bar as the first house in the state designed to achieve zero net energy use. — Published 2010.0421

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    GUY PETERSON'S FLORIDA MODERNISM

    Guy Peterson, FAIA, draws on the Sarasota School of Architecture and other influences to create a variety of Florida regional modernism. Peterson spoke with author Saxon Henry about his design philosophy and process. — Editor

    Saxon Henry: Why do you think that architects like Mies and Le Corbusier, who were being studied at Harvard during Rudolph's time, have had such an effect on your design philosophies? — Published 2010.0303

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    ESHERICK'S CARY HOUSE

    The Cary House in Mill Valley, California (1961) was a pivotal project for Joseph Esherick, gathering in the experience and the formal explorations of the gable and chalet manners and looking forward to the single-slope roofs that became the icon of the Sea Ranch style. — Published 2010.0203

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    HOUSE BY HOUSE

    By the time I saw Lloyd House's "Leaf House," then the sauna he built, I realized he was the builder of my dreams. He did things I'd never seen a builder do. He was tuned deeply into his materials and surroundings, and there was joy and wit in addition to master craftsmanship. Here was a builder able to carry through on his own designs to the last detail. His creations took my breath away. When I came upon the sauna, I was stunned. — Published 2010.0106

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    BAR HOUSE IN ASPEN

    The simple and strong geometric shape of the Bar House near Aspen, Colorado — which is a bar set boldly across, rather than nestling along, the valley floor — stands up to the rugged and majestic mountains that surround it. Despite its strength, this house by Peter Gluck and Partners is partly submerged in the ground, as if to lock it into the landscape. The views up and down the valley dominate the interior spaces, but they are tempered in different ways by the varied size and placement of the windows and the shape of the rooms. — Published 2009.1216

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    GREEN HOUSE IN GEORGIA

    In the American South, a region that tends to laud its heritage, modern can be a hard sell. A residential client often hears neighborhood fears that a new modern dwelling will look "chilly" and won't fit in.

    RainShine House by architect Robert M. Cain answers those concerns. Built near downtown Decatur, Georgia, part of metro Atlanta, the LEED Platinum-certified home is bright, welcoming, treads lightly on its site, and respects its neighbors. — Published 2009.0909

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    THE REVOLVING VILLA

    "I have decided to make the complete turn."

    Euphoric over seeing his still under-construction house rotate its planned 180 degrees for the first time, the Italian civil engineer Angelo Invernizzi quickly wrote a colleague that the final version had to go all the way around. — Published 2009.0715

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    THE TEXTILE BLOCK HOUSES

    As the Hollyhock House neared completion in 1920, Frank Lloyd Wright received a second Los Angeles commission, from antiquarian Alice Millard, who had arrived in Pasadena from Chicago in 1914. With her late husband she had commissioned a classic Prairie-style house from Wright in 1906; now she wanted something new, inspired by the palazzi of Venice. — Published 2009.0318

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    YUNG HO CHANG'S SPLIT HOUSE

    Nestled in the hills northwest of Beijing, a lesser-known attraction vies for attention with a well-touristed section of China's Great Wall: eleven ultramodern villas, each designed by a top architect from China, Japan, South Korea, Thailand, or Singapore. — Published 2008.1210

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    OSLO OPERA

    The new Oslo Opera House is a monumental architectural statement for Norway, providing a glamorous new home for the National Opera and Ballet and a striking public plaza overlooking the Oslofjord.

    Instantly shedding opera's snooty, high-art image, the new building by Norwegian architecture firm Snøhetta slopes down from the roof to the water's edge. The gleaming-white marble threshold between land and water welcomes hundreds of people on a sunny day. — Published 2008.1008

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    Houses, Large and Small page: [prev] | 01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 | [next]

     

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