AIA NATIONAL DESIGN AWARDS Viewed at a distance from the southwest, 8 House looks almost like a strange landform: two vegetated roofs form a massive green "V" reaching from the ground-floor roof all the way to the top of the building, nine stories above. The logic of this mixed-use building is better understood from a bird's-eye view. In concept, the plan is a 230-meter- (750-foot-) long loop that has been twisted to form a giant, angular figure eight. — Published 2012.0215
	CRYSTAL BRIDGES MUSEUM - SAFDIE IN ARKANSAS For those familiar with the remote and quiet beauty of the Ozarks of Northwest Arkansas, the sudden appearance of the Crystal Bridges Museum of American Art in Bentonville seems somewhat miraculous. — Published 2012.0201
	AUSTRALIAN ARCHITECTURE AWARDS 2011 On a tiny site measuring only seven by six meters (23 by 20 feet), a compact new home rises four and a half stories amidst the urban fabric of Surry Hills, an inner-city suburb of Sydney, Australia. Designing for himself and his partner, Sue Bassett, architect Domenic Alvaro achieved an unexpected sense of expansiveness within this small space through the use of large precast concrete panels and plate-glass windows, with minimal additional interior detailing. — Published 2012.0125
	IPAD APPS FOR AEC: PART 1 My Personal Take On the iPad I am not the kind of person easily enamored by gadgets, the kind who simply must have the latest technological device that is introduced, even by a company such as Apple. — Published 2012.0118
	PASSIVE HOUSE DIVIDED Passive House-certified buildings may take next to nothing to heat. But conflict between the German creators of the Passive House energy performance standard and their U.S. affiliate continues to generate energy months after it spilled into public view. The Passivhaus Institut (PHI) of Darmstadt, Germany, severed ties with the Passive House Institute US (PHIUS) of Urbana, Illinois, in an open letter released on August 17, 2011. — Published 2012.0111
	BEST OF BUILD BOSTON Build Boston, the largest regional conference and trade show for the design and construction industry in the United States, recently demonstrated again why it has earned such preeminence. More than 14,000 architects, designers, construction and facility managers, and owners attended the 27th Build Boston conference, hosted by the Boston Society of Architects in November 2011. The trade show floor boasted some 300 vendors — up 6% over last year — who plied their products with the usual vigor. — Published 2012.0111
	SHUBIN + DONALDSON - FROM FUEL TO BISCUIT The apparent placelessness of Los Angeles, where one community bleeds into another with little visible distinction, can partially be attributed to its major industries — advertising, television, movies, the web — because these businesses live placelessly, mostly in periodicals, or on screens in the theater, in the family room, and at the desk. — Published 2011.1130
	AIA EDUCATION DESIGN AWARDS When Canada's Royal Conservatory of Music set about expanding its midtown Toronto campus, a careful balancing act was required. The project combined construction of the new Telus Centre for Performance and Learning with the progressive restoration of historic McMaster Hall. The conservatory also sought to energize a new cultural district for the city in conjunction with major cultural facilities nearby, such as the Royal Ontario Museum and Gardiner Museum. — Published 2011.1116
	MOSHE SAFDIE BUILDS FOR PEACE From the intersection of 23rd Street and Constitution Avenue in Washington, D.C., at a corner of the U.S. National Mall near the Potomac River, the grandeur of the Lincoln Memorial is due south, and war-related memorials to Vietnam veterans, World War II, and George Washington, among others, unfold to the left, southeastward. — Published 2011.1109
	NEW WOOD WORK Within these plantations of God, a decorum and sanctity reign, a perennial festival is dressed, and the guest sees not how he should tire of them in a thousand years. In the woods, we return to reason and faith. There I feel that nothing can befall me in life,— no disgrace, no calamity, (leaving me my eyes,) which nature cannot repair. Standing on the bare ground,— my head bathed by the blithe air, and uplifted into infinite space,— all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God. — Published 2011.1102

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