GOLD COAST PAVILION A pair of pristine pavilions in the wilds of Queensland, Australia, near the historic town of Mudgeeraba, embodies a number precedents from the Modern Movement that coalesce to form a comfortable retreat. Designed for a ballet teacher and artist who lives with her husband and mother, the so-called Gold Coast House accommodates many different activities in a relatively compact 4,500 square feet (500 square meters). — Published 2003.0326
	LIBESKIND SCHEME CHOSEN FOR WTC On February 27, 2003, the Lower Manhattan Development Corporation (LMDC) selected Studio Daniel Libeskind and their widely-applauded design to guide the reconstruction of the World Trade Center site in New York. The "Memory Foundations" submission by the Polish-American architect emerged from a competition lasting many months, involving some of the best known architects in the world, and inspiring a lively, often rancorous, public debate. Although the debating is far from over, there now appears to be a framework from which to develop a long-term reconstruction plan. — Published 2003.0305
	25-YEAR AWARD TO DESIGN RESEARCH HEADQUARTERS Pulitzer Prize-winning author and architect Robert Campbell, FAIA, described it as "a glass vitrine at the scale of architecture, a display case for the contents inside? The glass facets of the facade give it the character of a cut jewel." The Design Research Headquarters building in Cambridge, Massachusetts is the newest recipient of the prestigious 25-Year Award by the American Institute of Architects. — Published 2003.0219
	SUNSHINE ON CANCER CARE Cancer care has come a long way. The disease is no longer a death sentence, and the cure is no longer a journey into an underworld of new technologies tucked into hospital basements, walls doubled up to contain radiation. With its new home designed by NBBJ, the Swedish Cancer Institute in Seattle has taken another step, lifting cancer care into a realm of sensitivity and respect. — Published 2003.0129
	ANDO'S NEW MODERN The opening of a new building designed by world-renowned architect Tadao Ando of Osaka, Japan at the end of 2002 marked the 110th anniversary of The Modern Art Museum of Fort Worth. With 53,000 square feet (4,900 square meters) of gallery space, the new structure for "The Modern," as it is known by locals, is Ando's largest commission in the United States to date. — Published 2003.0115
	AVAILING FASHION Designed by architect Jun Aoki, the new flagship store of the French fashion house Louis Vuitton on Tokyo's Omotesando Boulevard resembles a pile of trunks of different sizes and patterns, honoring Vuitton's origin as a trunk manufacturer. Examine the facade more closely, though, and you'll see an industrial-looking system of wire mesh curtains that create the fashionable effect. — Published 2002.1211
	STAINED GLASS RESTORED AT PRINCETON Princeton University has long upheld the highest standards in scholarship. Now the university reflects similar standards in restoration. The historic Princeton University Chapel has recently undergone a comprehensive overhaul that included one of the largest stained-glass restorations ever attempted. — Published 2002.1204
	THEATRICAL CONSCIOUSNESS The newly opened Mondavi Center, for music, dance, and theater, is part of a master plan for the University of California at Davis aimed at creating a new image for the campus. Overcoming the special challenges of designing "green" in a performing arts center, BOORA Architects and Arup engineers have made the building a model of sustainability. — Published 2002.1106
	BERMAN ON ICE Glass artist and designer Joel Berman has made the medium the message in his new showroom in Chicago's Merchandise Mart. The focal point of the interior is a 40-foot- (12-meter-) long, three-sided, tunnel-like glass sculpture that invites visitors to explore through touch the textured, layered, architectural cast glass that is Berman's trademark. — Published 2002.1030
	APARTMENTS OUTSIDE THE BOX There has been a recent growth spurt of highrise apartment development along Manhattan's avenues. Although these buildings strengthen street-level pedestrian activity, replacing congested parking lots with shops and restaurants, their predictable appearance means that the population of New York is being denied high-quality design. — Published 2002.1016

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