HOW TO DESIGN A PARK In May 1895, landscape architect Frederick Law Olmsted, best known for Central Park in New York, wrote in Engineering Magazine about city parks, or "pleasure-grounds." In How to Create a Park, Olmsted offered suggestions on park siting and organization. Here, he continues with more detailed discussion of park design. — Editor — Published 2010.0728
	HOW TO CREATE A PARK In May 1895, landscape architect Frederick Law Olmsted, best known for Central Park in New York, wrote in Engineering Magazine about city parks, or "pleasure-grounds." Here, Olmsted starts by offering suggestions on park siting and organization. In a second part of the article to follow, he discusses park design in more detail. — Editor — Published 2010.0721
	HOUSE ON CAPE COD The client for this house on Cape Cod's Crystal Lake sought a modest and sweet country abode to replace a simple old summer cottage that sat between beautiful gardens and a sweeping lawn leading to narrow frontage on the freshwater lake. The pastoral site and picturesque gardens suggested English countryside cottages to the architects, Polhemus Savery DaSilva Architects Builders, and this was an image that captured the client's imagination. — Published 2010.0721
	ONE BRYANT PARK, NEW YORK In the heart of Manhattan, across from the expansive Bryant Park at 42nd Street and Avenue of the Americas, is a landmark new skyscraper — a triple landmark, based on its sustainable and energy-saving design, its crystalline form, and its sheer size. — Published 2010.0707
	NEW SAN FRANCISCO ARCHITECTURE SFMOMA commissioned a new sculpture garden for the top of its parking structure, with provisions to connect to the main San Francisco Museum of Modern Art building — a late-20th-century classic that prefigured the wave of museums constructed following the Guggenheim Bilbao in 1997. Jensen & Macy Architects conceived of the garden, which was completed by successor firm Jensen Architects, as a gallery without a ceiling. — Published 2010.0609
	MAKI'S MIT MEDIA LAB For an academic unit that produces such forward-thinking projects as electronic ink, humanoid robots, and a digital opera, one might expect an edgy, geometrically wild building by Zaha Hadid or Coop Himmelb(l)au. But for the new building for the MIT Media Lab, Japanese architect Fumihiko Maki designed a serene example of classic modernism — a glass-and-steel form wrapped in an elegant aluminum screen. — Published 2010.0602
	FOSTER'S NEW OPERA The extroverted Margot and Bill Winspear Opera House by Norman Foster has sprung up in Dallas, Texas, across the street from the internally dynamic Dee and Charles Wyly Theatre by REX and OMA. — Published 2010.0526
	GREAT NEW LANDSCAPES Visitors to the 2010 World Expo in Shanghai, China, are experiencing a former industrial site reclaimed as a riverside oasis: Houtan Park. Running through this strip of green space, interlaced with walkways, a constructed wetland treats polluted river water for use at the Expo. — Published 2010.0526
	CONFESSIONS OF AN ARCHITECTURAL JOURNALIST Hiroshi Nakamura is an affable, easygoing guy — so much so that he even lay down on the carpet to help me and a colleague to get the right picture for a previous article. Also, I think it's fair to say that he's going places as an architect. He certainly has the right background: five years with Kengo Kuma & Associates, a number of awards, and still only 35 years old. Plus, his architectural oeuvre seems to be cannily in step with the present-day ecological zeitgeist. — Published 2010.0317
	HOUSING ON RUE DES VIGNOLES Eden Bio can be difficult to find. One might think it would be hard to conceal almost 100 new public housing units in this part of Paris's 20th arrondissement, but local architect Édouard François has managed to do so, inserting rows of low-rise apartments, duplexes, and small houses into the middle of a city block while presenting a minimal, modest face to the street on three sides. — Published 2010.0317

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