NAGASAKI ART MUSEUM The Nagasaki Prefectural Art Museum in Nagasaki, Japan, is one of Kengo Kuma's most successful designs in an urban setting. In this project, a small canal with flanking pedestrian promenades runs between two interconnected sections of the complex, bringing a part of the nearby sea, the port area, and the public realm of the city into the domain of the museum. — Published 2009.1014
	GRAND TETON VISITOR CENTER Early in the design process of the Craig Thomas Discovery and Visitor Center in Grand Teton National Park, Bohlin Cywinski Jackson made several key design decisions that were critical to the success of the project. — Published 2009.0819
	AIA CONVENTION 2009 "Ours is a hopeful future," said American Institute of Architects President Marvin Malecha, FAIA, as he opened the 2009 AIA Convention in San Francisco. "We need to let the public know that they can count on our profession to lead them through these tough times." — Published 2009.0527
	MULTI-ELEPHANT HOUSING BY FOSTER The Copenhagen Zoo's new Elephant House by Foster + Partners emerges gently from the surrounding park grounds, its two leaf-patterned glass domes topping walls of pink-hued concrete. At once playful and serious, transparent and solid, this modern menagerie provides both high-quality living conditions for the animals inside and an exciting and interactive visitor experience. — Published 2009.0401
	AIA HONOR AWARDS 2009 In creating the Horno3: Museo Del Acero in Monterrey, Mexico, Grimshaw Architects converted an abandoned 1960s steel blast furnace facility into a museum of industrial history. The architects balanced historic preservation with reinvention and expansion to establish a dramatic new landmark. — Published 2009.0211
	KOLUMBA ART MUSEUM In Cologne, Germany, a city ravaged by World War II, the Kolumba Art Museum embraces and preserves centuries of culture and pays poetic tribute to the layers of civilization unearthed on its site. Designed by reclusive Swiss architect Peter Zumthor, the museum provides a stunning exception to the city's drab urban landscape built after the war. — Published 2009.0107
	HOUSE FOR SWEDEN The 70,000-square-foot (6,500-square-meter) building for the Swedish Embassy in Washington, D.C., is set on a narrow peninsula at the confluence of Rock Creek and the Potomac River. Surrounded by water on three sides, the peninsula faces south and commands spectacular views up and down the Potomac. The prominent site called for an emblematic building through which the essence of Swedish culture, technology, design sensibility, and governance would be expressed. — Published 2008.0910
	STONE HILL CENTER BY TADAO ANDO Think of the architecture of Tadao Ando, and images of sleek, smooth concrete are sure to fill the mind's eye. — Published 2008.0806
	PRESERVING CULTURAL LANDSCAPES Just as the concept of cultural landscape can mitigate polarized views of nature versus artifice, so it can bridge divisive opinions on the relative importance of "architecture" versus "history." — Published 2008.0604
	AUSTRALIAN GOLD FOR RICHARD JOHNSON Over the course of his 38-year career, Richard Johnson, designer of many major cultural buildings in Sydney, has worked on scales ranging from exhibit design to urban design. His projects have included world expo pavilions, museums, embassies, schools, office buildings, hotels, master plans, and landscape design, many with his current firm, Johnson Pilton Walker of Sydney. The Australian architect has been awarded the 2008 Gold Medal for Architecture by the Royal Australian Institute of Architects (RAIA). — Published 2008.0423

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