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  •  A Range of Rooms in ArchWeek
  • Daylighting - 21
    Daylighting page: [prev] | 01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | [next]

    ArchWeek Image

    PELLI'S RENEWED INVESTMENT BUILDING

    Building by building, Cesar Pelli is adding his touch to the staid architecture of Washington, D.C. In 1997, his terminal at Reagan National Airport, just south of the city, opened to rave reviews for its soaring, light- and art-filled bays beneath open trusses and for its dramatically silhouetted, metal-sheathed tower and terminal modules. — Published 2002.0206

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    SERT'S MIRO FOUNDATION

    In 1974, Spanish architect Joseph Lluis Sert completed the Miró Foundation, a museum in Barcelona dedicated to his friend, modern artist Joan Miró. The light-filled galleries were as varied as the artwork they were designed to display. — Published 2002.0206

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    RESPECT ON CAMPUS

    Honoring your elders is not today's most popular theme in architectural design. But a new classroom building on the Brown University campus, designed by the Providence, Rhode Island firm of William Kite Architects, shows that it is possible to work within the fabric of an old building with originality while paying homage to what has come before. The result is a "new" building striking in its inventiveness. — Published 2002.0130

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    ArchWeek Image

    THERMAL DELIGHT IN COURTYARDS

    Perhaps the most satisfying architectural response to the continuously dry topics is the Mediterranean residence centered on a courtyard. With a meager but well-developed water supply, the courtyards feature fountains, ponds, and growing plants for both evaporative cooling and for aesthetic enhancement. But it is the fine-tuning of the courtyard environment — its optimization of wall heat resistance, ventilation rate, and evaporation rate — that is most satisfying.

    — William Lowry and Porter Lowry, Fundamentals of Biometerorology — Published 2001.1212

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    ArchWeek Image

    A STYLISH SUSTAINABILITY

    In the 1920s, after working with Frank Lloyd Wright for several years, architect Rudolf Schindler pioneered a new kind of residence in Southern California. Schindler's work, while exhibiting some formal attributes of the International Style, was tempered by a sensitivity to the environment. — Published 2001.1107

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    PLAYFUL PV IN ROME

    At the Children's Museum of Rome, a partly see-through photovoltaic (PV) roof brings new levels of meaning to everyday childhood experience of playing in the sun.

    One of the museum's central mandates is to heighten awareness of the quality of urban life through "a transparent guided itinerary" of everyday activities. Its new photovoltaic roof, designed by Abbate e Vigevano Architetti, gives form to this mandate. — Published 2001.1024

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    ART OF ANDO IN ST. LOUIS

    The new building for the Pulitzer Foundation for the Arts, designed by renowned Japanese architect Tadao Ando, is a deceptively simple composition of space and light. The PFA building, Ando's first public structure in the United States, celebrated its long-awaited opening in October, 2001.

    — Published 2001.1024

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    OLD WINE IN NEW BUILDINGS

    He's not as well-known as Santiago Calatrava, but Jesus Manzanares is certainly a rising star of contemporary Spanish architecture. Forty-one years old and based in Madrid, this architect has carved out a career specializing in one building type, wineries. He has built his professional reputation during a decade of dramatic economic change in the Spanish wine business. — Published 2001.1017

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    LEGENDARY LIBRARY RESURRECTED

    There are many legends about the destruction of the great library in Alexandria 2000 years ago, but much less historical fact about the building itself has survived. Three libraries may have coexisted in the ancient city, but scant data remains about their location, layout, holdings, organization, administration, or physical structure. — Published 2001.0919

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    ArchWeek Image

    FROM MAYBECK TO MEGACHURCHES

    Now that we have turned the corner into the 21st century, surveying the evolution of religious architecture over the past hundred years seems fair game. Starting from 1900, what were the noticeable changes, and what were the common denominators that survived through the end of the century?

    What was the impact of the modern movement in architecture on the designs for religious buildings? Can this evolution provide insight into religious architecture for the new millennium? — Published 2001.0808

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    Daylighting page: [prev] | 01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | [next]

     

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