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GREEN GUIDE FOR DEVELOPERS
CD-ROM Review: Green Developments by the Rocky Mountain Institute, 2002.
"Real estate development was once a revered profession. It can be so again." This claim begins a new CD-ROM-based guide on "green" building for developers from the Rocky Mountain Institute. — Published 2002.1009
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LA EXPANSIVE
The view from the 23rd-floor lobby of the White, O'Connor, Curry & Avanzado law office is as good as it gets in Los Angeles. Nearly floor-to-ceiling glass curtain walls reveal an awe-inspiring backdrop of the city, mountains, and Southern California's endlessly blue sky. Located in a corporate high rise in the prime business district of Century City, the new headquarters of one of LA's leading litigation law firms is a workspace to be envied. — Published 2002.0925
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WIMBLEDON PARK SLIM
A house with the unassuming name "84 Arthur Road" has introduced an element of drama to an otherwise sleepy suburb of southwest London. At first glance, the new house seems to contrast sharply with its 1900s-vintage suburban neighbors. — Published 2002.0918
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SUSTAINABILITY PAYS OFF
Conventional wisdom holds that the best way to formally "green" a project is to integrate sustainable thinking into the design process from the beginning. Getting everyone on the team working together early toward this common goal is still the best approach. But it's not the only way to design a sustainable building. — Published 2002.0612
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THE NEW CITY HOME
From the Iron Age to the age of the Internet, the city has always both absorbed and promoted change. It thrives on reinvention. Today, the North American city is enjoying an upswing in popularity. — Published 2002.0522
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WINDOWS FOR LIGHT
No one can deny the historical importance of daylight in determining the form of buildings since, together with the effects of climate and location, daylight availability was fundamental to their design. However, with the introduction of modern sources of electric light, and particularly because of their increasing efficiency since the Second World War, by the 1960s the need to introduce daylight into buildings had appeared to diminish. — Published 2002.0501
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FOLK ART MUSEUM
Good things, as the saying goes, come in small packages. In the case of the new American Folk Art Museum in midtown Manhattan, the small package casts a golden glow across West 53rd Street when the sun glances off its variegated whitish-bronze facade. — Published 2002.0424
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NEW HOME FOR OLD PHOTOS
Last year, the American Academy in Rome moved its valuable photographic archive to a newly renovated villa built in the early 1920s. The challenge for Studio Abbate & Vigevano, the architects designing the villa's renovation, was to create a delightful, daylit interior while protecting the delicate negatives from heat and humidity. They call the result a "minimalist model of sustainable architecture." — Published 2002.0417
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MULTIFAMILY SOLAR
CEPHEUS (Cost-Efficient Passive Houses as EUropean Standards) is a demonstration project that is examining the viability of solar and low-energy construction in Europe. Fourteen inexpensive buildings with a total of 221 residential units have been built and are being evaluated through a standardized measurement program. The results of the Austrian projects have been published in a book that proposes to demonstrate that reducing the consumption of conventional fuels is both possible and recommended in this climate. This is the story of Wolfurt, Vorarlberg, low-cost, compact multifamily terraced housing on the slopes of the Bregenz Forest. Architect Gerhard Zweier has provided eight families with dividable floor plans, ample daylight, and large gardens. Although the energy conservation results are not perfect, the example is instructive. — Editor — Published 2002.0313
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GARDEN BUNGALOW
This single-family house with its clear-span interiors, industrial materials, and view of city lights might be mistaken for the work of American architect (and Frank Lloyd Wright apprentice) John Lautner.
But the SPS house, named after "Sprengersteig," its street in Vienna, is a product of the young Austrian firm querkraft architekten. The glazed, pedestal-like building is recessed into a sloping site, with "two boxes and a studio" on the above-ground floor. — Published 2002.0313
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