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CORBU'S MAISON TERNISIEN
The house was designed for a couple who approached Le Corbusier after he lectured at the Sorbonne in 1924.
The overall building form is influenced by the shape of the triangular site and the interior by the requirement of merging two different programs: a double-height space with a sleeping balcony for the wife's painting studio and a pie-shaped one-story space for the husband's music studio. — Published 2013.0130
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ADA LOUISE HUXTABLE
When she died on January 7, Ada Louise Huxtable, America's first full-time architecture critic to write for a newspaper, went out the way she came in. She joined the New York Times in 1963 and a half-century later she continued to write intelligent and at times lacerating architectural criticism for the Wall Street Journal. In her last published piece, she heaped scorn upon architect Norman Foster's scheme to gut the stacks of the landmark New York Public Library. It was published three weeks before her death at the age of 91. — Published 2013.0109
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ON WASHINGTON, D.C. BUILDING HEIGHT RESTRICTIONS
I've been procrastinating this one for a long time. I generally avoid taking stands on controversial local issues in Washington, where I have lived for over four decades, and I am especially uncomfortable being at odds with people I respect and consider friends. — Published 2012.1205
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INSIDE THE TEEPEE WITH ROLAND REED
By the dawn of the twentieth century, the era of the American West as a frontier had all but ended. At the same time, the life and existence of its original inhabitants, the American Indian, had reached a point of change where it would never again be as it was. — Published 2012.1114
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FOOTBRIDGE IN HONG KONG
Permission to construct the new Cheung Kong Center at the corner of Garden Road and Queen's Road Central came with the stipulation that Cheung Kong Holdings, Ltd., would reconnect the two ends of a public footpath that once crossed the site. — Published 2012.0919
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TROPICALISMO
As Le Corbusier was casting in concrete and Philip Johnson was building glass houses, ambitious architects in Puerto Rico were also experimenting with the tenants of International and Modernist styles. — Published 2012.0808
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LONDON OLYMPICS ARCHITECTURE GUIDE
Olympic Stadium
"The innovative flexible design of the Olympic Stadium means its 80,000 capacity can be reduced after the Games. It has a permanent lower tier with a capacity of 25,000, and a temporary steel and concrete upper tier, which holds a further 55,000 spectators, that can be dismantled after the Games. — Published 2012.0725
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THE AMAZING FLEXHOUSE
The flexhouse is a live-work type that does not match the narrow range of housing types that American builders are comfortable producing. While a range of variations on the shop house, including versions of the flexhouse, have been produced by small specialized builders — typically in greenfield traditional neighborhood developments — it is by far the least common live-work type. — Published 2012.0620
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RENOVATING FAY JONES
While the work of a master painter or sculptor might be nurtured in climate-controlled galleries for centuries, the works of master architects are often lived in, worked in, enjoyed by crowds, exposed to the weather, and vulnerable to owners' whims. Architecture lovers can hope that their favorite structures are cared for by conscientious stewards, but aside from the use of preservation easements, there are few real guarantees. — Published 2012.0523
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INTERVIEW WITH AIA CEO ROBERT IVY
ArchitectureWeek spoke with AIA Chief Executive Officer Robert Ivy as the Institute was in final preparations to host the AIA 2012 National Convention in Washington, D.C.
Kevin Matthews: Coming from a magazine perspective, and now that you're here (at the AIA), how has your perspective on architecture magazines changed — from being steeped in that world for quite a while, to now being next to it? — Published 2012.0516
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