POSTCARD FROM LONDON Dear ArchitectureWeek, Coinciding with the launch of the United Kingdom's Architecture Week 2003, June saw the opening of the fourth temporary pavilion outside the Serpentine Gallery in Hyde Park in London. This year's structure was designed by Brazilian architect Oscar Niemeyer and is the first UK building by the man who designed Brasilia, his country's capital city. As in previous years, the pavilion will be dismantled and sold at the end of the summer in September. — Published 2003.0903
	CALATRAVA WAVE IN TENERIFE It was originally intended to be a simple concert hall, but the multifunction building for the city of Santa Cruz, Tenerife, in the Canary Islands, also promises to be a landmark. The distinctive, overhanging "wave" curving out over the white concrete Auditorio de Tenerife is the latest creation of renowned Spanish architect Santiago Calatrava. — Published 2003.0903
	SOUTHERN ARCHITECTURAL COMFORTS The Gulf States Region AIA chapter, representing five U.S. states, has recently announced its annual design awards for 2003. This regional chapter of the American Institute of Architects, named for its proximity to the Gulf of Mexico, represents the states of Alabama, Arkansas, Louisiana, Mississippi, and Tennessee. — Published 2003.0820
	CONCRETE AND LEAD FOR STANFORD Construction is nearing completion for the Center for Cancer Treatment and Prevention at Stanford University in California. The building, located in the heart of earthquake territory, will contain seven linear accelerators to deliver therapeutic radiation to its clinics. Guarding against both earthquakes and radiation has posed significant challenges for the general contractors, Rudolph and Sletten, Inc. They had to develop novel shoring systems and strict safety measures for workers handling leaded building materials. — Published 2003.0806
	BLUFF HOUSE Since the mid-1960s, the firm Olson Sundberg Kundig Allen Architects has created a series of houses across the country for art collectors, exploring the connection between art and craft. One such house perches on a Seattle-area hillside, deferring to nature. Architecture critic Paul Goldberger says of the firm's work: "this is an experiential architecture, not a theoretical one...marked by a self-assured and sensual presence, shaped by light, texture, materiality, and scale." — Editor — Published 2003.0730
	BUILDING TALL Since the 1980s, architects of tall buildings have sought variety in geometric massing and silhouette, coupled sometimes with a striving for height for its own sake and not just as a way of increasing floor area on a restricted site. Economy in the costs of construction seems sometimes to have been considered less important than before. — Published 2003.0618
	HADID'S BERGISEL SKI JUMP Cobra, high-heeled shoe, golf club... Quite a few nicknames have emerged for the new Bergisel Ski Jump since its opening in September 2002. Time will tell if one of these nicknames will stick, but already the ski jump by the London firm Zaha Hadid Architects has become an important point of reference for the surrounding mountain landscape. — Published 2003.0528
	POSTCARD FROM RONCHAMP Dear ArchitectureWeek, The architectural highlight of our bicycle ride across France was visiting the Notre Dame du Haut chapel, a steep climb from the town of Ronchamp. Designed by Le Corbusier and built in 1955, this expressionist chapel is one of the icons of 20th century European architecture. — Published 2003.0521
	CRAFTING CONCRETE COUNTERTOPS The virtue of concrete is its versatility. It can be creatively adapted to any setting or any style — modern or traditional. Its hardness, strength, and mass express the timelessness of natural materials such as granite and marble. Its plasticity allows a wide range of details to be incorporated into designs, from hard-edge contemporary to ornate traditional. This versatility makes concrete universally appealing as a finish material, not just for structural applications. — Published 2003.0521
	PRECAST IN MANY FORMS Precast concrete is an architectural material with a unique combination of strength and versatility. In the hands of an imaginative designer and an expert fabricator, it can assume a rich variety of forms, textures, and colors, while performing an array of structural and decorative roles. In selecting four projects for its 2003 awards program, the Architectural Precast Association sought to demonstrate the imaginative application of these properties and to highlight the benefits of collaboration between architect and fabricator. — Published 2003.0507

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