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  • Cathedrals - 03
    Cathedrals page: [prev] | 01 | 02 | 03 | 04 | [next]

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    NEW ORLEANS BETWEEN STORMS

    News reports since late August have been full of stories of human tragedy and governmental incompetence in the aftermath of Hurricane Katrina. Understandably less prominent has been information about the architectural victims, which express the unique character of historic New Orleans. The fate of these buildings is emblematic of the fate of the city itself. — Published 2005.0921

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    POSTCARD FROM SANTA ANA

    Dear ArchitectureWeek,

    An hour's drive northwest from San Salvador takes you to the mountainous, volcanic area of El Salvador, to an altitude far above the heat of the coast and the congestion of the capital. Near the Volcán de Izalco is Santa Ana, El Salvador's second largest city. It is surrounded by beautiful green peaks and sky-blue lakes and, unlike most other cities here, has retained much of its colonial heritage. — Published 2005.0316

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    POSTCARD FROM OVIEDO

    Dear ArchitectureWeek,

    With its 263-foot- (80-meter-) high spire visible from most parts of town, La Catedral de Oviedo serves as a city symbol and directional landmark in the heart of Oviedo, Spain (not to be confused with Orvieto, Italy!). The cathedral stands on one side of a historic square with government buildings lining the other sides. The street is closed to motor vehicles, but is always busy with pedestrians. The church continues to hold services and is a popular site for weddings and baptisms. — Published 2004.0818

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    TWO CITIES OF NICARAGUA

    For much of the 19th century, two conflicting political groups contested for power in Nicaragua: the liberals, based in the northwestern city of León, and the conservatives, based in Granada to the south. The country's capital rotated between the two cities, shifting with changes in power, whether by elections or by war. — Published 2003.0305

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    OLD PRAGUE AND NEW

    Built on seven hills and intersected by the meandering River Vltava (Moldau), Prague offers a stunning array of architecture. From Romanesque and Gothic to cubist and functionalist, the Czech Republic capital is one of the few cities where so many diverse forms of architectural expression coexist comfortably. Every era of the city's history is reflected in its buildings. — Published 2002.0417

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    LONDON MILLENNIUM BRIDGE

    London’s Millennium Bridge reopened six years ago on February 22, 2002, with its designer, Lord Foster, in attendance, but without its original, notorious wobble. Described by Foster as a "blade of light," the Millennium Bridge was closed just two days after it first opened in June, 2000, because it shimmied and shook uncomfortably. — Published 2002.0327

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    DEVELOPING 3D MODELS FROM PHOTOS

    When is a picture worth much more than 1000 words? When it can be converted directly into a 3D model. Models of historic buildings and cultural relics enable architects and archaeologists to study their subject in closer detail than might otherwise be possible. — Published 2002.0123

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    OLD AND NEW IN ESTONIA

    In the expressive silhouette of Tallinn, Estonia's capital city and largest port, visitors approaching from the Baltic Sea see a distinct personality split into the new and the old. The split can be traced back to 1227, when the medieval town in northeastern Europe was conceded to an order of crusading knights. — Published 2001.1010

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    FROM MAYBECK TO MEGACHURCHES

    Now that we have turned the corner into the 21st century, surveying the evolution of religious architecture over the past hundred years seems fair game. Starting from 1900, what were the noticeable changes, and what were the common denominators that survived through the end of the century?

    What was the impact of the modern movement in architecture on the designs for religious buildings? Can this evolution provide insight into religious architecture for the new millennium? — Published 2001.0808

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    ROOFS OF DUBROVNIK

    Walking on the ramparts of the walled city of Dubrovnik feels like being part of a Renaissance painting. It is so picture-perfect that even George Bernard Shaw's over-quoted observation of Dubrovnik being "paradise on earth" seems like a British understatement.

    From the viewpoint on the ramparts, the homogeneous architecture of Dubrovnik is distinct; every single building in the old city bears clay roof tiles, red and honey rooftops that glitter in contrast with the turquoise sea. — Published 2001.0718

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    Cathedrals page: [prev] | 01 | 02 | 03 | 04 | [next]

     

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