MINNESOTA AIA AWARDS The house on Bert Hodus and Donna Brogan's farm takes design cues from a farm icon. With its south facade "warped" by design, the couple's new home evokes the graceful sag of many aging 19th- and 20th-century American barns. The Blair, Wisconsin, house is wrapped in rainscreen siding of locally harvested, rough-sawn white oak, evocative of the clients' own turn-of-the-20th-century red barn nearby. And the window and door openings are few and large. — Published 2011.0202
	AGA KHAN AWARD FINALISTS The Aga Khan Award for Architecture for 2010 went to five projects. This extended article covers the 14 other finalists, an array of fascinating projects, ranging far off the beaten paths of everyday Western architecture. —Editor Project: Tulou Collective Housing — Published 2011.0112
	HEALTHCARE AIA AWARDS The Duke (University) Integrative Medicine center combines conventional treatments with alternative therapies such as acupuncture, acupressure, yoga, and meditation. Closely tied to the mission of the new center was the goal of creating a building that evoked warmth and nurtured the well-being of patients and practitioners. — Published 2010.1201
	POSTCARD FROM LOS ANGELES Dear ArchitectureWeek, I recently ventured to the Los Angeles County Museum of Art (LACMA) to see the new Resnick Pavilion designed by Renzo Piano. As I approached the pavilion from Wilshire Boulevard, I was impressed by how impeccably it seems to mimic the adjacent Broad Contemporary Art Museum (BCAM), another recent LACMA building by Piano. Both structures are clad in travertine slabs, both sport fanlike roofs to allow daylight into the galleries, both are accented with bright red exterior elements — staircases on BCAM and sculptural HVAC equipment on the Resnick Pavilion — and yet the two buildings manifest entirely different takes on museum typology. — Published 2010.1020
	GREEN SCIENCE IN SALT LAKE CITY The new Meldrum Science Center, certified LEED Platinum, provides an outstanding teaching and laboratory facility for the Westminster College campus in Salt Lake City, Utah. The airy, daylit interior of the four-story, 60,000-square-foot (5,600-square-meter) building provides a fertile matrix for interactive learning about science — in the curriculum and in the building. — Published 2010.0929
	WYLY THEATRE BY REX AND OMA The first thing that strikes a visitor to the new Dee and Charles Wyly Theatre in Dallas, Texas, is that the building doesn't look like a theater at all. It's a basic box elongated upward. The typical theater configuration, with an auditorium surrounded by a public lobby and back-of-house support spaces, has been completely reshuffled by architects REX and OMA into a vertical stack. — Published 2010.0908
	EERO'S RINK REBORN, OR... ADDING TO THE YALE WHALE It's not often that an architect gets to add to a building that he or she worked on years before, especially after a span of 50 years. But that's the case for the new expansion of Yale's David S. Ingalls Rink, originally designed by Eero Saarinen in the early 1950s. — Published 2010.0825
	NEW SAN FRANCISCO ARCHITECTURE SFMOMA commissioned a new sculpture garden for the top of its parking structure, with provisions to connect to the main San Francisco Museum of Modern Art building — a late-20th-century classic that prefigured the wave of museums constructed following the Guggenheim Bilbao in 1997. Jensen & Macy Architects conceived of the garden, which was completed by successor firm Jensen Architects, as a gallery without a ceiling. — Published 2010.0609
	SUSTAINABLE SITE SELECTION FOR SCHOOLS In the case of a new school, the first job for the working group is selecting a site. All the decisions that go into making a sustainable campus or building follow. Location defines the impacts of development both to the site itself and to surrounding neighborhoods, transportation, habitat, and hydrology. — Published 2010.0602
	MAKI'S MIT MEDIA LAB For an academic unit that produces such forward-thinking projects as electronic ink, humanoid robots, and a digital opera, one might expect an edgy, geometrically wild building by Zaha Hadid or Coop Himmelb(l)au. But for the new building for the MIT Media Lab, Japanese architect Fumihiko Maki designed a serene example of classic modernism — a glass-and-steel form wrapped in an elegant aluminum screen. — Published 2010.0602

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