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  •  A Range of Rooms in ArchWeek
  • Architecture, Film, and Video - 01
    Architecture, Film, and Video page: 01 | 02 | 03 | 04 | [next]

    ArchWeek Image

    SHUBIN + DONALDSON - FROM FUEL TO BISCUIT

    The apparent placelessness of Los Angeles, where one community bleeds into another with little visible distinction, can partially be attributed to its major industries — advertising, television, movies, the web — because these businesses live placelessly, mostly in periodicals, or on screens in the theater, in the family room, and at the desk. — Published 2011.1130

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    ARCHICAD 15: PART 2

    This software review takes a detailed look at ArchiCAD 15 in two parts, continuing here with 3D interface enhancements, improved support for renovation projects, and other changes, along with an overall analysis of this release. —Editor

    3D Interface Enhancements — Published 2011.1116

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    2011 STIRLING PRIZE SHORTLIST

    The Stirling Prize for 2011 goes to Evelyn Grace Academy by Zaha Hadid Architects, chosen from a shortlist of six outstanding projects. In this article, ArchitectureWeek documents the five outstanding projects that were shortlisted but didn't get the Stirling Prize, with commentary from the RIBA jury.

    Project   Velodrome — Published 2011.1005

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    ArchWeek Image

    STANLEY TIGERMAN: ARCHITECT AS CHAMELEON

    A bedrock belief in the classic theology of modern architecture was that architects always had to be original. Architects were to create a new built world that divested itself from the past, from classical architecture and its decoration, and invent brand-new, innovative buildings. In many ways, for a modern architectural designer, being original could be more important than being good. — Published 2011.1005

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    ArchWeek Image

    SIMPLE RULES FOR LIGHTING A SCENE

    When using the rendering software mental ray within 3ds Max — like almost any other high-end rendering situation — light is one of the most important aspects of a scene. A great rendering is rarely created on the first try after simply throwing in lights and clicking Render. — Published 2011.0622

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    COMPARING FUKUSHIMA AND CHERNOBYL

    Our goal with this article is to support an accurate, technically grounded, and broadly comprehensible comparison of the Fukushima and Chernobyl nuclear disasters, to facilitate realistic understanding of these serious accidents by the technically savvy ArchitectureWeek A/E/C readership.

    Why This Comparison? — Published 2011.0413

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    EZRA STOLLER

    Many of the finest examples of Modern architecture from the late 1940s to the late 1970s were "made" by a master — not necessarily the architect, but the man who captured the essence of Modern architecture through the lens of his large-format camera: Ezra Stoller. — Published 2011.0223

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    AUTODESK REVIT ARCHITECTURE 2011

    With so much emphasis placed on Building Information Modeling (BIM) lately, the capitalized Information sometimes threatens to overshadow building aesthetics. But in the latest release of Revit, Autodesk is starting to restore the balance. — Published 2010.0804

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    AIA HOUSING AWARDS 2010

    The Safari Drive multifamily residential complex in downtown Scottsdale, Arizona, exemplifies a higher-density, pedestrian-scaled alternative to the exploding sprawl of greater Phoenix. Designed by The Miller Hull Partnership, it succeeds as design in the broadest sense: place-making that intertwines architecture, planning, and landscape. — Published 2010.0512

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    ArchWeek Image

    PUGH + SCARPA AIA FIRM AWARD 2010

    It's not easy to pigeonhole Pugh + Scarpa Architects. And that's the way partners Gwynne Pugh, Larry Scarpa, and Angela Brooks like it.

    The buildings they create are dynamic, many with colorful, angular, patterned facades that exude a sense of whimsical energy. Even at its most eye-catching, the work is also decisively rooted in function and energy efficiency. The firm has also established a substantial portfolio of affordable housing projects. — Published 2010.0127

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    Architecture, Film, and Video page: 01 | 02 | 03 | 04 | [next]

     

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