International practice sounds glamorous and fun, but is it something that your firm should consider?
Overseas work can be expensive, disruptive, and a serious distraction. Some firms have even destroyed their domestic practice by diverting too much energy and too many resources to foreign work. — Published 2008.0326
Some Westerners, when faced with Oriental creativity, have a tendency to get a little carried away. Instead of a balanced, rational approach, a tendency emerges to ascribe the aesthetic effect of what they see to some mysterious, spiritual force that is absent from their own culture, whether it be called Zen, Tao, wabi-sabi, or yin and yang. — Published 2008.0116
According to architect Kisho Kurokawa, the new National Art Center Tokyo is a perfect expression of his philosophy of symbiosis. Rather than trying to iron out irregularities and resolve contradictions into what he calls a "dull, flat harmony," his distinctly non-Western idea seeks to apply conflicts and tensions in positive ways to achieve interesting and energizing effects. — Published 2007.0404
Some architects pursue consistent themes that can be adjusted to any site or building type, while others take a fresh approach to every project, giving each a distinctive expression. FOBA, the firm that Katsu Umebayashi established on the outskirts of Kyoto in 1994, has a foot in both camps. — Published 2006.0927
Until recently, the site of Osaka Japan's National Museum of Contemporary Art, one of three national contemporary art museums in Japan, was at the far edge of the city, on the former site of the 1970 World's Fair. The museum had planned to move from this distant suburb to a central urban location in the middle of Nakanoshima Island, part of a planned cultural arts district that has great potential to activate and energize an integral part of the city. — Published 2006.0222
The designs of Japanese architect Kengo Kuma critically engage the materiality of architecture in order to challenge its usual meanings, and in so doing, to thwart the emergence of architecture as an object. As he has shown in many of his projects, Kuma is determined to "dissolve" the materials that he uses, or to choose materials that are less substantial, stating, "If materials are thoroughly particlized, they are transient, like rainbows." — Published 2005.0914
Designed by architect Jun Aoki, the new flagship store of the French fashion house Louis Vuitton on Tokyo's Omotesando Boulevard resembles a pile of trunks of different sizes and patterns, honoring Vuitton's origin as a trunk manufacturer. Examine the facade more closely, though, and you'll see an industrial-looking system of wire mesh curtains that create the fashionable effect. — Published 2002.1211
There is a new landmark in Ginza, one of the leading shopping and business districts of Tokyo. Designed by the Italian architecture firm, Renzo Piano Building Workshop, the building is the corporate headquarters and store of Hermès Japan, a company famous for its handmade leather bags and apparel. — Published 2002.0911
Well timed with the opening of the World Cup soccer games in South Korea and Japan, the new Osanbashi International Passenger Terminal of Yokohama opened in June 2002. With its landscape-like curving roof, the building by the London firm of Foreign Office Architects (FOA) is intended as an extension of a nearby municipal park. — Published 2002.0619
Why limit your visits in Japan to Tokyo and Kyoto, when there are 47 prefectures altogether from north to south? If you only frequent the largest cities, you are skimming the surface and missing some of the goodies. — Published 2001.0905
