ArchitectureWeek Notes No. 364
ArchitectureWeek Editors
editor at architectureweek.com
Fri Jan 18 11:54:01 PST 2008
Dear ArchitectureWeek Readers,
ArchitectureWeek No. 364 is now available on the Web, with these
new design and building features, and more. This Notes issue is
sponsored by the AIA:
The American Institute of Architects is taking a big step
toward a more sustainable future in 2008. The "Walk the
Walk" campaign supports the issue of sustainable design and
how AIA Architects are becoming part of the solution. This
campaign fosters environmental consciousness and action.
Visit:
http://www.archweek.com/ad.cgi?080116_AIA_walkthewalk
TALKING WITH TANIGUCHI
by C. B. Liddell
http://www.ArchitectureWeek.com/today.html
http://www.ArchitectureWeek.com/2008/0116/design_1-1.html
Some Westerners, when faced with Oriental creativity,
have a tendency to get a little carried away. Instead of
a balanced, rational approach, a tendency emerges to
ascribe the aesthetic effect of what they see to some
mysterious, spiritual force that is absent from their
own culture, whether it be called Zen, Tao, wabi-sabi,
or yin and yang.
This is, of course, the obverse side of the attitude
that the Palestinian-American scholar Edward Said so
scathingly exposed in his seminal work Orientalism
(1978), which highlighted the ways that different
cultures and societies distort and exoticize each other.
Although misconceptions may actually add luster to his
creations, Japanese architect Yoshio Taniguchi - most
famous for his redesign of New York's Museum of Modern
Art (MoMA), completed in 2004 - is keen to downplay such
mystical elements in his work.
For example, the perfectly balanced inverse relationship
of the circle and the square in one of his earliest
designs, the Shiseido Art Museum (1978), built for
Japan's leading cosmetic company, seems an obvious echo
of the ideal harmony between the masculine yang and
feminine yin principles in Eastern thought.
"I didn't have anything like that in mind," Taniguchi
says. "But the museum consists of two parts: one end for
the art gallery and one end to exhibit cosmetics and
advertising posters. For the art gallery, I wanted to
have gentler light, whereas for the other, where they
exhibit cosmetics, I wanted stronger light from
outside."
... full story continues online (20 images, four free):
http://www.ArchWeek.com/2008/0116/design_1-1.html
Rebuilding Beaufort
by Michael Cockram
http://www.ArchitectureWeek.com/2008/0116/environment_1-1.html
Just north of London, off the M25 highway, a single large
wind turbine reaches into the air and turns steadily
above the bucolic English countryside. The turbine serves
to generate power, and also as an emblem of the
headquarters of the wind energy company Renewable Energy
Systems (RES), set among the hedge rows and rolling hills
of Hertfordshire.
... full story continues online (10 images, two free):
http://www.ArchWeek.com/2008/0116/environment_1-1.html
People and Places
by Nancy Novitski
http://www.ArchitectureWeek.com/2008/0116/news_1-1.html
Wayne Troyer Architects in New Orleans, Louisiana --
WWCOT in Granada Hills, California -- VOA Associates
Incorporated in Milton, Florida -- Steven Ehrlich
Architects in Irvine, California -- Blackney Hayes
Architects in Philadelphia, Pennsylvania -- Frederick
Fisher and Partners in Pasadena, California -- Thornton
Tomasetti in New York, New York -- Sarah Wigglesworth
Architects in London, England, United Kingdom -- Gerner
Kronick + Valcarcel, Architects, PC in New York, New
York -- Rockefeller Partners Architects in Los Angeles,
California -- TBG in Austin, Texas -- KlingStubbins in
Philadelphia, Pennsylvania -- da capo al fine architects
in Herzogenaurach, Germany...
... short stories continue online:
http://www.ArchWeek.com/2008/0116/news_1-1.html
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Contents, RSS, and Surface of the Week -
Patterned slate roof (CR-060)
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This Week's Quiz -
The archeological discoveries at Pompeii and Herculaneum
in the 18th century fueled interest in what type of
architectural style?
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Architecture Answer - for last issue's quiz...
As you probably know, "cut and fill" is the process of
removing soil (cutting) from one part of a site and
using it to fill another part of a site. What are these
other construction-related "cuts"?: "cut nail," "cut
boss" (slang), and "cut brick"?
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