ArchitectureWeek Notes No. 305
ArchitectureWeek Editors
editor at architectureweek.com
Wed Sep 27 20:49:15 PDT 2006
Dear ArchitectureWeek Readers,
ArchitectureWeek No. 305 is now available on the Web, with these
new design and building features, and more...
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FOBA KYOTO
by Michael Webb
http://www.ArchitectureWeek.com/today.html
http://www.ArchitectureWeek.com/2006/0927/design_1-1.html
Some architects pursue consistent themes that can be
adjusted to any site or building type, while others
take a fresh approach to every project, giving each a
distinctive expression. FOBA, the firm that Katsu
Umebayashi established on the outskirts of Kyoto in
1994, has a foot in both camps.
It is instructive to compare FOBA's strategies with
those of other contemporary Japanese architects,
especially in its home city of Kyoto, where buildings
range from discreet wooden rowhouses to garish,
misshapen towers o often on adjoining blocks. During
the boom years of the 1980s, when extravagance of every
kind was prized in Japan, architects went to extremes
of showiness and stealth in their buildings.
Shin Takamatsu, the Kyoto-based architect with whom
Umebayashi spent his formative years, attacked the
visual chaos head on with sculptural forms that drew
attention to themselves and away from their prosaic
neighbors.
Fumihiko Maki, the mandarin of minimalism, is
responsible for the National Museum of Modern Art in
Kyoto (1986), a building that respects the scale of its
neighbors but also seems to disdain them. Cool,
harmonious, and bloodless, it is a universal building
that could have been located anywhere in Japan or
abroad.
In contrast to such work, FOBA seeks to engage the
urban context - to play to the strengths rather than
the weaknesses of the surroundings and to locate the
enduring amid the ephemeral.
Continuity of space and respect for context are always
evident, but Umebayashi eschews a signature style or
concept. "I always want to try something
unconventional," he observes, "otherwise, why take on a
job at all? It should be new every time."
... full story continues online (10 images, one free):
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Brick Awards 2006
by ArchitectureWeek
http://www.ArchitectureWeek.com/2006/0927/news_1-1.html
Traditional clay brick still plays an important,
expressive role in modern architecture, and to
highlight a few North American examples of its
application, the Brick Industry Association (BIA)
announced in July 2006 the results of its annual Brick
in Architecture awards. In the words of BIA president
Dick Jennison, "The winning projects demonstrate the
versatility and enduring appeal of clay brick in
today's construction. Brick is, and always has been, a
superior cladding material with unlimited design
potential."
... full story continues online (10 images, one free):
http://www.ArchWeek.com/2006/0927/news_1-1.html
Hong Kong Villages
by Ian Morley
http://www.ArchitectureWeek.com/2006/0927/culture_1-1.html
When the British occupied a "barren rock" following the
First Opium War in 1841, Foreign Secretary Lord
Palmerston was "greatly mortified and disappointed" at
the island's perceived worthlessness. Since then,
however, Hong Kong has become one of the world's most
important entrepreneurial, architectural, banking, and
trading centers.
... full story continues online (10 images, one free):
http://www.ArchWeek.com/2006/0927/culture_1-1.html
People and Places This Week - Washington, D.C., Los Angeles, Cambridge,
Scottsdale, New York, Shanghai, Anchorage, Chicago, Yorktown:
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Product News - Solarscreen(TM) VRE-59 Insulating Glass from Viracon
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