ArchitectureWeek Author C.B. Liddell - 01
C.B. Liddell
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SUNTORY MUSEUM BY KENGO KUMA
Kengo Kuma strikes a chord when he talks about the inspirations for one of his most successful projects: the new Suntory Museum of Art, built in 2007 into the side of the new Tokyo Midtown development. Published 2008.0903
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TALKING WITH TANIGUCHI
Some Westerners, when faced with Oriental creativity, have a tendency to get a little carried away. Instead of a balanced, rational approach, a tendency emerges to ascribe the aesthetic effect of what they see to some mysterious, spiritual force that is absent from their own culture, whether it be called Zen, Tao, wabi-sabi, or yin and yang. Published 2008.0116
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KUROKAWA ART CENTER
According to architect Kisho Kurokawa, the new National Art Center Tokyo is a perfect expression of his philosophy of symbiosis. Rather than trying to iron out irregularities and resolve contradictions into what he calls a "dull, flat harmony," his distinctly non-Western idea seeks to apply conflicts and tensions in positive ways to achieve interesting and energizing effects. Published 2007.0404
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TOYO ITO INTERVIEW
Japanese architect Toyo Ito is credited with influencing a generation of younger architects with his ideas about contemporary urban forms. While presenting some of his recent work at an exhibition at the Tokyo Opera City Gallery in 2006, he spoke with journalist Colin Liddell about his designs, his theories, and their origin. — Editor
Colin Liddell: In all your buildings, you seem to be trying to get away from straight lines. Do you hate straight lines? Published 2007.0110
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C.B. Liddell
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