BASICS - STAIRS, RAMPS, AND SLOPES Stairs, ramps, and slopes are specific types of flooring assemblies that join two or more different levels. Their design is guided, in part, by larger design intentions that involve human movement through space, along with scale, location, orientation, wayfinding strategies, and their contextual fit within the immediate and surrounding environment. — Published 2012.0418
	BEST OF BUILD BOSTON Build Boston, the largest regional conference and trade show for the design and construction industry in the United States, recently demonstrated again why it has earned such preeminence. More than 14,000 architects, designers, construction and facility managers, and owners attended the 27th Build Boston conference, hosted by the Boston Society of Architects in November 2011. The trade show floor boasted some 300 vendors — up 6% over last year — who plied their products with the usual vigor. — Published 2012.0111
	HIGH-RISE SUSTAINABILITY A high-level assessment of the impact of the urban tower on the natural environment would conclude that low land use and possible higher density are the chief advantages, with high energy usage being the chief disadvantage. Concepts of density and of energy usage are relative, and should be examined by comparing high-rise buildings with their low- or mid-rise alternatives. — Published 2012.0104
	NOTES FROM MANHATTAN: HIGH LINE TO WTC New York on the cusp of fall: the light has that very yellowy tint that only happens this time of year, and the air seems clear as crystal. A quick jaunt around Manhattan Island — literally one afternoon, just before the tenth anniversary of September 11th — reveals new, continuing, and still-becoming works of architecture. — Published 2011.0907
	HS#9 BY COOP HIMMELB(L)AU "Revolution 9" is a song recorded by the Beatles and released on The White Album in 1968, that heady year when students were demonstrating across Europe, the Vietnam War was at a fever pitch, and Coop Himmelb(l)au was founded in Vienna. The song has been described as the best-known work of avant-garde music and the most disliked moment of any Beatles album. — Published 2011.0810
	BREUER'S WHITNEY MUSEUM On June 17, 1963, the Whitney announced to the public its plans to build a new facility in a new location: — Published 2011.0803
	POMPIDOU-METZ BY SHIGERU BAN Shigeru Ban has recently been spending almost three-quarters of his time outside Japan, and one main reason for this pattern is the fact that he was building the Centre Pompidou-Metz, an ambitious extension that the Parisian institution has undertaken in the eastern French city of Metz. — Published 2011.0622
	POSTCARD FROM LOS ANGELES Dear ArchitectureWeek, I recently ventured to the Los Angeles County Museum of Art (LACMA) to see the new Resnick Pavilion designed by Renzo Piano. As I approached the pavilion from Wilshire Boulevard, I was impressed by how impeccably it seems to mimic the adjacent Broad Contemporary Art Museum (BCAM), another recent LACMA building by Piano. Both structures are clad in travertine slabs, both sport fanlike roofs to allow daylight into the galleries, both are accented with bright red exterior elements — staircases on BCAM and sculptural HVAC equipment on the Resnick Pavilion — and yet the two buildings manifest entirely different takes on museum typology. — Published 2010.1020
	HADID - MAXXI - STIRLING PRIZE 2010 In the Flaminio district of Rome, a sinuous concrete building stands on a quiet street. This is the home of MAXXI, the Museo Nazionale delle Arti del XXI Secolo (National Museum of 21st Century Art). Designed by Zaha Hadid, MAXXI has received the Stirling Prize for 2010 from the Royal Institute of British Architects (RIBA). — Published 2010.1006
	FACADES BY FRONT Focusing on conceptually and technologically sophisticated facades, the consulting practice Front has had considerable influence on high-profile projects despite its small size. Bruce Nichol, a partner and cofounder of Front, talks with Jon Dreyfous, Elite Kedan, and Craig Mutter about his experience working with Renzo Piano on the New York Times Building in New York City, and with Rem Koolhaas and the Office for Metropolitan Architecture (OMA) on the China Central Television Headquarters (CCTV) and the Seattle Public Library. — Editor — Published 2010.0616

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