 |
CORBU'S MAISON TERNISIEN
The house was designed for a couple who approached Le Corbusier after he lectured at the Sorbonne in 1924.
The overall building form is influenced by the shape of the triangular site and the interior by the requirement of merging two different programs: a double-height space with a sleeping balcony for the wife's painting studio and a pie-shaped one-story space for the husband's music studio. Published 2013.0130
 |
 |
BASICS - STAIRS, RAMPS, AND SLOPES
Stairs, ramps, and slopes are specific types of flooring assemblies that join two or more different levels.
Their design is guided, in part, by larger design intentions that involve human movement through space, along with scale, location, orientation, wayfinding strategies, and their contextual fit within the immediate and surrounding environment. Published 2012.0418
 |
 |
OSCAR NIEMEYER - BRAZILIAN MODERNIST
As the preeminent figure of one of the most innovative national interpretations of architectural Modernism, and a radical critic of orthodox Modernist aesthetic formulae and moralizing ideologies, Brazilian architect Oscar Niemeyer occupies a unique place in the pantheon of great builders. Published 2012.0201
 |
 |
ANATOMY OF METABOLISM
The exhibit "Metabolism, the City of the Future" at the Mori Art Museum in Tokyo is a major retrospective looking at Japan's most widely known and perhaps least understood modern architecture movement.
Subtitled "Dreams and Visions of Reconstruction in Postwar and Present-Day Japan," the exhibit throws up images depicting a sci-fi world of floating cities, metropolises in the sky, and soaring geometric shapes and patterns repeated over and over with little apparent correspondence to the psychological needs of humans. Published 2011.1214
 |
 |
MAISON CARRÉ BY ALVAR AALTO
Maison Carré in Bazoches-sur-Guyonne, France, is a private house by Alvar Aalto which is to a major extent stamped by the owner being an art collector: one could say that it is at the same time a private palais and a gallery. Published 2011.0831
 |
 |
HS#9 BY COOP HIMMELB(L)AU
"Revolution 9" is a song recorded by the Beatles and released on The White Album in 1968, that heady year when students were demonstrating across Europe, the Vietnam War was at a fever pitch, and Coop Himmelb(l)au was founded in Vienna. The song has been described as the best-known work of avant-garde music and the most disliked moment of any Beatles album. Published 2011.0810
 |
 |
GUY PETERSON'S FLORIDA MODERNISM
Guy Peterson, FAIA, draws on the Sarasota School of Architecture and other influences to create a variety of Florida regional modernism. Peterson spoke with author Saxon Henry about his design philosophy and process. — Editor
Saxon Henry: Why do you think that architects like Mies and Le Corbusier, who were being studied at Harvard during Rudolph's time, have had such an effect on your design philosophies? Published 2010.0303
 |
 |
PARISH CHURCH IN LECCE
The city of Lecce, located in the southern heel of the Italian peninsula, is associated with highly ornate baroque palaces and churches, their facades overlaid with elaborate decorative carvings in the local limestone. Published 2009.0902
 |
 |
COLIN ST. JOHN WILSON - TWO HOUSES
British architect Colin St. John "Sandy" Wilson (1922-2007) is best known for designing the British Library (1997) in London, a fraught but ultimately successful project begun in 1962. In Colin St John Wilson: Buildings and Projects, Roger Stonehouse reviews many of Wilson's works, including the Grantchester Road houses and Spring House. In an introduction to the book, drawn from a 1992 essay, Wilson reflects on the state of modernism in the early 1960s. —Editor Published 2009.0304
 |
 |
SWISS AMBASSADOR’S RESIDENCE
The most unusual buildings in the U.S. capital city are often those erected by foreign governments for their embassies. Some are insipid interpretations of a country's architectural traditions. Others are inspired efforts to combine the best of a country's past architecture with cutting-edge trends. Published 2007.0110
 |
Le Corbusier page: