RENOVATING FAY JONES While the work of a master painter or sculptor might be nurtured in climate-controlled galleries for centuries, the works of master architects are often lived in, worked in, enjoyed by crowds, exposed to the weather, and vulnerable to owners' whims. Architecture lovers can hope that their favorite structures are cared for by conscientious stewards, but aside from the use of preservation easements, there are few real guarantees. — Published 2012.0523
	PREDOCK'S CANADIAN MUSEUM FOR HUMAN RIGHTS "You never know, even if you think you do, where you're going." —Antoine Predock The Canadian Museum for Human Rights is intended to be an educational museum of ideas rather than objects, where we can "explore the subject of human rights, with special but not exclusive reference to Canada," according to the museum's web site. — Published 2011.0803
	AN EXCELLENT ADDITION Designing an appropriate addition to almost any National Historic Landmark should be seen as a challenge. When the landmark building is by Frank Lloyd Wright, the challenge acquires its own dimension in history. In their new addition to an American masterpiece of religious architecture — Wright's First Unitarian Society Meeting House in Madison, Wisconsin — The Kubala Washatko Architects has risen beautifully to such a challenge. — Published 2011.0525
	AIA TOP GREEN BUILDINGS 2011 The Kubala Washatko Architects faced a real challenge: create a large yet sympathetic addition to a Frank Lloyd Wright landmark. And the First Unitarian Society of Madison, Wisconsin, wanted this new structure to be very green to boot. — Published 2011.0420
	EZRA STOLLER Many of the finest examples of Modern architecture from the late 1940s to the late 1970s were "made" by a master — not necessarily the architect, but the man who captured the essence of Modern architecture through the lens of his large-format camera: Ezra Stoller. — Published 2011.0223
	STEADMAN ON THE BURJ Dear Editor, I long for the day when someone says — "Let's have no more wars!! — in Afghanistan or anywhere else!" Instead, let's set about constructing the Mile High Frank Lloyd Wright building somewhere in the centre of the United States — say — DENVER? and call it — "THE PEACE BUILDING"!! — Published 2010.0526
	NEW YORK AIA AWARDS 2010 Thirty feet above street level, a narrow new park winds through a former industrial area on the West Side of Manhattan, near the Hudson River. This unexpected urban oasis is the High Line, a series of grasses and shrubs, walkways and benches, created atop a defunct elevated freight railway. — Published 2010.0331
	GUY PETERSON'S FLORIDA MODERNISM Guy Peterson, FAIA, draws on the Sarasota School of Architecture and other influences to create a variety of Florida regional modernism. Peterson spoke with author Saxon Henry about his design philosophy and process. — Editor Saxon Henry: Why do you think that architects like Mies and Le Corbusier, who were being studied at Harvard during Rudolph's time, have had such an effect on your design philosophies? — Published 2010.0303
	ENDANGERED HISTORIC U.S. PLACES 2009 Unity Temple, designed by Frank Lloyd Wright for his own Unitarian congregation in Oak Park, Illinois, remains an icon of early modern architecture, with its geometric design, strong massing, characteristic detailing, and use of exposed concrete. — Published 2009.0513
	THE TEXTILE BLOCK HOUSES As the Hollyhock House neared completion in 1920, Frank Lloyd Wright received a second Los Angeles commission, from antiquarian Alice Millard, who had arrived in Pasadena from Chicago in 1914. With her late husband she had commissioned a classic Prairie-style house from Wright in 1906; now she wanted something new, inspired by the palazzi of Venice. — Published 2009.0318

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