 |
GTEAM CLOUD COLLABORATION TOOL
A new A/E/C-centric collaboration and communication hub from Gehry Technologies has promise to put your project team on cloud power, whatever the size of your A/E/C firm. — Published 2012.0822
 |
 |
NOTES FROM MANHATTAN: HIGH LINE TO WTC
New York on the cusp of fall: the light has that very yellowy tint that only happens this time of year, and the air seems clear as crystal. A quick jaunt around Manhattan Island — literally one afternoon, just before the tenth anniversary of September 11th — reveals new, continuing, and still-becoming works of architecture. — Published 2011.0907
|
 |
HS#9 BY COOP HIMMELB(L)AU
"Revolution 9" is a song recorded by the Beatles and released on The White Album in 1968, that heady year when students were demonstrating across Europe, the Vietnam War was at a fever pitch, and Coop Himmelb(l)au was founded in Vienna. The song has been described as the best-known work of avant-garde music and the most disliked moment of any Beatles album. — Published 2011.0810
|
 |
PREDOCK'S CANADIAN MUSEUM FOR HUMAN RIGHTS
"You never know, even if you think you do, where you're going." —Antoine Predock
The Canadian Museum for Human Rights is intended to be an educational museum of ideas rather than objects, where we can "explore the subject of human rights, with special but not exclusive reference to Canada," according to the museum's web site. — Published 2011.0803
|
 |
RIPPLE EFFECT
Your first reaction to seeing Aqua Tower as it commands the Chicago skyline might be, "What happened to that skyscraper?" It looks as if some of its concrete floor fins might have been worn away over years of exposure. Or perhaps some kind of pervasive organism has taken over a sleek glass tower, crawling all over its facade — the Blob meets Howard Roark's Enright Building. — Published 2011.0105
|
 |
POSTCARD FROM MANHATTAN
Dear ArchitectureWeek,
As I walked through west Chelsea, near the Hudson River shoreline of Manhattan, a palpable sense of change was afoot — especially striking considering the impact of the recession on new construction across the nation. Among an aging urban fabric of midrise warehouse and residential buildings, many in various stages of renovation and repair, several new projects stood out. — Published 2010.0728
|
 |
FACADES BY FRONT
Focusing on conceptually and technologically sophisticated facades, the consulting practice Front has had considerable influence on high-profile projects despite its small size. Bruce Nichol, a partner and cofounder of Front, talks with Jon Dreyfous, Elite Kedan, and Craig Mutter about his experience working with Renzo Piano on the New York Times Building in New York City, and with Rem Koolhaas and the Office for Metropolitan Architecture (OMA) on the China Central Television Headquarters (CCTV) and the Seattle Public Library. — Editor — Published 2010.0616
|
 |
NORTH AMERICAN WOOD
The Richmond Olympic Oval, the venue for long-track speedskating events in the recent Vancouver 2010 Winter Olympics, is capped by a massive roof almost 6.5 acres (2.6 hectares) in size. The LEED Silver-certified building, designed by Cannon Design, features prefabricated pine panels spanning between hollow composite wood-steel arches to form a rhythmically pleated timber ceiling over the ice. — Published 2010.0310
|
 |
MAGGIE'S CENTRE GETS 2009 STIRLING PRIZE
On a difficult corner site along a busy street, Maggie's Centre in London provides an uplifting sanctuary in which cancer patients and their families and friends can receive support and information. The building's bold orange masonry wall beckons visitors into daylit spaces shielded from the street beneath a floating roof canopy.
This humane health support facility designed by Rogers Stirk Harbour + Partners has received the Stirling Prize for 2009. — Published 2009.1021
|
 |
MAGIC BLUE BOX
A giant blue cuboid has sprung up in Copenhagen, Denmark. This striking scaffolding box wrapped in translucent blue fabric is the new Copenhagen Concert Hall.
During the day, the building's blue skin largely conceals the faceted forms within, with peeled-back areas on the sides of the steel-framed box showing that the outside wrapping is more than just an imposing blue billboard. From the right angle, visitors can see vague outlines of the building forms beneath the translucent textile. — Published 2009.0722
|
Frank Gehry page: 
