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UIA WORLD CONGRESS 2011
There were fears that the great earthquake that struck eastern Japan in March 2011 would in some way lessen the UIA World Congress recently held in Tokyo by the International Union of Architects (UIA). — Published 2011.1026
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THE SAGE GATESHEAD BY NORMAN FOSTER
At the time the Sage Gateshead opened in 2004, Foster + Partners was often asked by the media whether they had set out to create a new icon for Tyneside — the conurbation that includes Newcastle, Gateshead and adjacent cities on the banks of the River Tyne.
The architects replied that their overriding intention had been to create a series of spaces that would prove functionally and aesthetically hospitable to a range of carefully specified uses. — Published 2011.0928
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NOTES FROM MANHATTAN: HIGH LINE TO WTC
New York on the cusp of fall: the light has that very yellowy tint that only happens this time of year, and the air seems clear as crystal. A quick jaunt around Manhattan Island — literally one afternoon, just before the tenth anniversary of September 11th — reveals new, continuing, and still-becoming works of architecture. — Published 2011.0907
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WYLY THEATRE BY REX AND OMA
The first thing that strikes a visitor to the new Dee and Charles Wyly Theatre in Dallas, Texas, is that the building doesn't look like a theater at all. It's a basic box elongated upward. The typical theater configuration, with an auditorium surrounded by a public lobby and back-of-house support spaces, has been completely reshuffled by architects REX and OMA into a vertical stack. — Published 2010.0908
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FOSTER'S NEW OPERA
The extroverted Margot and Bill Winspear Opera House by Norman Foster has sprung up in Dallas, Texas, across the street from the internally dynamic Dee and Charles Wyly Theatre by REX and OMA. — Published 2010.0526
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PRITZKER PRIZE GOES TO SANAA
The Pritzker Architecture Prize for 2010 goes to Japanese architects Kazuyo Sejima and Ryue Nishizawa, partners in the Tokyo-based firm SANAA. The jury lauded the pair's work as "delicate and powerful, precise and fluid, ingenious but not overly or overtly clever... creating a sense of fullness and experiential richness." SANAA has several significant built works in Japan, with noteworthy projects in Europe and the United States as well. — Published 2010.0331
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MULTI-ELEPHANT HOUSING BY FOSTER
The Copenhagen Zoo's new Elephant House by Foster + Partners emerges gently from the surrounding park grounds, its two leaf-patterned glass domes topping walls of pink-hued concrete. At once playful and serious, transparent and solid, this modern menagerie provides both high-quality living conditions for the animals inside and an exciting and interactive visitor experience. — Published 2009.0401
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NEW YORK NEW MUSEUM
As you make your way east on Prince Street from Sixth Avenue in lower Manhattan, a pile of shimmering cubes rises at the end of Prince as it dead-ends at the Bowery. What is it? There are no windows in sight. A puffy white cloud slowly passes behind it and the silvery tower seems to disappear inside the cumulus skycraft. — Published 2008.0820
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BEIJING TERMINAL 3 BY FOSTER
The Chinese have long been good at big gestures, and one of Beijing's latest — courtesy of London's Foster + Partners — is lifting spirits in the capital at a rate of thousands per day. — Published 2008.0723
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HEARST TOWER
Pritzker Prize laureate Norman Foster is a master of levitating buildings of dubious design, treatment, or association to the pantheon of architectural icons. The Hearst Tower in Manhattan, which he designed in collaboration with architects Adamson Associates and Gensler, is the most recent example of this resuscitation.
The 42-story glass- and metal-skinned tower is characterized by a large diagonal grid, emphasized by vertically alternating recessed and projecting multistory corner triangles. — Published 2007.0523
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