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    ArchitectureWeek Architects and Firms - Eero Saarinen - 01
    Eero Saarinen page: 01 | 02 | [next]

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    BALTHAZAR KORAB - ARCHITECT OF PHOTOGRAPHY

    Talk with Balthazar Korab long enough, and a consistent narrative emerges — one of a life and career replete with intriguing contradictions. A photographer with no formal training, he first aspired to be a painter but instead studied architecture, and prefers to be known as “an architect who makes pictures rather than a photographer who is knowledgeable about architecture.” — Published 2012.1205

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    OSCAR NIEMEYER - BRAZILIAN MODERNIST

    As the preeminent figure of one of the most innovative national interpretations of architectural Modernism, and a radical critic of orthodox Modernist aesthetic formulae and moralizing ideologies, Brazilian architect Oscar Niemeyer occupies a unique place in the pantheon of great builders. — Published 2012.0201

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    THE STORY OF SAARINEN'S JOHN DEERE HEADQUARTERS

    Carefully tucking away "the car's fat shine" was integral to the definitive Deere & Company Administrative Center in Moline, Illinois, later renamed Deere & Company World Headquarters.

    The exemplar for all subsequent corporate estates, it brought together landscape, site plan, and architecture into an elegant and commanding solution. Deere definitively proved the corporate value of the high-image, high-style suburban headquarters. — Published 2011.1207

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    EZRA STOLLER

    Many of the finest examples of Modern architecture from the late 1940s to the late 1970s were "made" by a master — not necessarily the architect, but the man who captured the essence of Modern architecture through the lens of his large-format camera: Ezra Stoller. — Published 2011.0223

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    CREATING THE WASHINGTON METRO

    The Washington, D.C., Metro project established Harry Weese & Associates as the country's foremost architectural designer of rail transit systems, and led to the firm's involvement in the planning and conceptual design of systems in cities in North America and overseas, including Miami, Los Angeles, Dallas, Buffalo, Toronto, and Singapore. Jack Hartray characterized the Metro as the "greatest architectural opportunity" of the 20th century, and Stanley Allan called it the "crown jewel" in the history of the Weese firm's commissions. — Published 2010.1027

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    EERO'S RINK REBORN, OR... ADDING TO THE YALE WHALE

    It's not often that an architect gets to add to a building that he or she worked on years before, especially after a span of 50 years. But that's the case for the new expansion of Yale's David S. Ingalls Rink, originally designed by Eero Saarinen in the early 1950s. — Published 2010.0825

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    PETER BOHLIN - AIA GOLD MEDAL

    On New York's Fifth Avenue, people approach the Apple Store's glass cube, often first walk around it, then enter and descend by the glass stairs to the below-ground showroom. This store is not only the icon for Apple Inc., but also an exemplar of the architecture of Peter Bohlin: it is an original statement, powerful yet minimalist, that enhances its surroundings and respects the human scale while creating an invigorating sense of movement, pulling in shoppers and spectators in staggering numbers, 24 hours a day. — Published 2010.0414

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    YALE'S GREEN ARK

    Every so often, an exceptional work of architecture emerges from an opportune convergence of just the right client working with just the right team of architects, engineers, and consultants on a building that is just right for the times. Kroon Hall at Yale University is one of these. — Published 2010.0106

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    CHICAGO AIA AWARDS 2009

    A utility plant stands in glass at the edge of the University of Chicago campus, the geometric tangle of its technical systems revealed inside the radiused crystalline form. — Published 2009.1118

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    EERO AND ONWARD

    On a December day of 1955, fresh over from Paris, I walked into the small Eero Saarinen office in Bloomfield Hills, Michigan, with a beat-up box of eight-by-tens of my Beaux-Arts graduation work. "Can I see Mr. Saarinen? I'm looking for a job." He did see me, and having reviewed my prints, asked whether I could start that very afternoon for $2.75 an hour pay. I did. — Published 2008.0730

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    Eero Saarinen page: 01 | 02 | [next]

     

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