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DANIEL LIBESKIND'S PERSPECTIVE
ArchitectureWeek You tend to take on or win projects with a great deal of emotional symbolism. Is there anything in particular about your past work or personal history that you think resonates with people? How did this feature, for example, in your design for New York City's Ground Zero Master Plan? — Published 2012.0118
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MAGIC BLUE BOX
A giant blue cuboid has sprung up in Copenhagen, Denmark. This striking scaffolding box wrapped in translucent blue fabric is the new Copenhagen Concert Hall.
During the day, the building's blue skin largely conceals the faceted forms within, with peeled-back areas on the sides of the steel-framed box showing that the outside wrapping is more than just an imposing blue billboard. From the right angle, visitors can see vague outlines of the building forms beneath the translucent textile. — Published 2009.0722
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LIBESKIND IN LONDON
The new, modestly sized Graduate Centre for London Metropolitan University is the first permanent building in London by Daniel Libeskind. It's not a glamorous commission compared to his World Trade Center project in New York, nor does it have a particularly beautiful or meaningful site, as does his Jewish Museum in Berlin. — Published 2004.0526
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MODELING LIBESKIND'S WTC
Like other contemporary architects, Daniel Libeskind — designer of the new World Trade Center — and his firm use computer-aided modeling tools extensively during schematic design. But the firm also relies on physical models. As the new World Trade Center design develops in the public limelight, a look back at its schematic beginnings reveals a process in which physical and computer models evolved in parallel. — Published 2004.0303
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RECONSTRUCTION COMPLICATIONS CONTINUE
When architect Daniel Libeskind was chosen in February 2003 to redesign New York's World Trade Center site, it appeared to be an irrevocable decision about the fate of "Ground Zero." But controversies have persisted, and what finally gets built may be very different from Libeskind's original design vision. — Published 2003.0827
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AIA CONVENES IN SAN DIEGO
The American Institute of Architects 2003 national convention was held in May in the Southern California city of San Diego. AIA members came to the seaside city for continuing education seminars, to conduct institute business, and to enjoy visits to nearby architectural attractions, such as the famous Salk Institute designed by Louis Kahn. — Published 2003.0528
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LIBESKIND SCHEME CHOSEN FOR WTC
On February 27, 2003, the Lower Manhattan Development Corporation (LMDC) selected Studio Daniel Libeskind and their widely-applauded design to guide the reconstruction of the World Trade Center site in New York. The "Memory Foundations" submission by the Polish-American architect emerged from a competition lasting many months, involving some of the best known architects in the world, and inspiring a lively, often rancorous, public debate. Although the debating is far from over, there now appears to be a framework from which to develop a long-term reconstruction plan. — Published 2003.0305
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WTC DESIGN COMPETITION RESULTS
On December 18, 2002, citizens and designers of the United States and the world got a glimpse of some new ideas on how the site of New York's World Trade Center could be transformed over the coming decade. On December 18, 2002, the Lower Manhattan Development Corporation released a new set of design proposals submitted by some of the world's most talented architects. Perhaps skittish after the poor reception given the last round of proposals, the LMDC simultaneously also launched a campaign to solicit public comment. — Published 2003.0101
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BUILD BOSTON BOOMS
An excellent way to keep current in the architectural world is to attend the Build Boston conference held every November. This year's event shattered previous records with 13,000 participants attending over 260 seminars and workshops led by industry professionals from around the United States. — Published 2002.1204
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ARCHITECTURAL ALMANAC
The Almanac of Architecture & Design is an annual compendium of architecture and design facts, award winners, projects, firms, rankings, schools, and other information. Architecture critic Robert Campbell wrote the third edition's foreword, in which he refers to many of the resources available in the book. — Editor — Published 2002.0206
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Daniel Libeskind page: 
