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CULTURE THIS WEEK |
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The exhibit "Metabolism, the City of the Future" at the Mori Art Museum in Tokyo is a major retrospective looking at Japan's most widely known and perhaps least understood modern architecture movement. Subtitled "Dreams and Visions of Reconstruction in Postwar and Present-Day Japan," the exhibit throws up images depicting a sci-fi world of floating cities, metropolises in the sky, and soaring geometric shapes and patterns repeated over and over with little apparent corrspondence to the psychological needs of humans.
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THE STORY OF SAARINEN'S JOHN DEERE HEADQUARTERS Carefully tucking away "the car's fat shine" was integral to the definitive Deere & Company Administrative Center in Moline, Illinois, later renamed Deere & Company World Headquarters. The exemplar for all subsequent corporate estates, it brought together landscape, site plan, and architecture into an elegant and commanding solution. Deere definitively proved the corporate value of the high-image, high-style suburban headquarters.
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Thinking back, an image that most endures in my mind is the white tower and compound of William Wurster's Gregory House (1929) in the Santa Cruz Mountains. The Gregory Farmhouse, as it's usually referenced, is a misnomer: it is a country retreat designed and built between 1927 and 1929, a place of the soul, no doubt, for a very sophisticated San Francisco family.
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