Page D1.2 . 09 November 2011                     
ArchitectureWeek - Design Department
< Prev Page Next Page >
  • Moshe Safdie Builds for Peace
  • The Sage Gateshead by Norman Foster

    [an error occurred while processing this directive]
      Current Contents
      Blog Center
      Download Center
      New Products
      Products Guide
      Classic Home
      Architecture Forum
      Architects Directory
      Topics Library
      Complete Archive
      Web Directory
      About ArchWeek
      Subscribe & Contribute
      Free Newsletters


    [an error occurred while processing this directive]

    Moshe Safdie Builds for Peace


    Further reinforcing the classical connection, the ground-floor facade of the USIP building serves as a largely monolithic base, while above it the regular arrangements of punched openings articulate the building's middle and top, and help it to fit in among the capital's memorials and museums.

    Safdie chose acid-etched precast concrete for the exterior surface to achieve the warm tone of limestone. The building's primary structural materials are reinforced concrete columns and floor slabs, steel frame at curtain walls, and a steel gridshell supporting the glass roof canopies.

    Building for Peacebuilding

    When the U.S. Institute of Peace (USIP) acquired the building's site — a historic piece of land important in the French and Indian War, and the last available building spot at the edge of the mall — it was serving as a parking lot for the Navy's Bureau of Medicine and Surgery, housed in buildings next door.


    To accommodate the Navy's need for parking at the site, Safdie designed the headquarters with a three-level underground garage. (The USIP will soon acquire two of the Navy buildings for a planned professional training center for conflict resolution and peacebuilding.)

    The new building's eastern entryway, facing 23rd Street, leads up two stories to a landing overlooking the first of the two atria: the light-filled, 11,800-square-foot (1,100-square-meter) Great Hall. To the south, a glass curtain wall more than 80 feet (24 meters) tall encloses the space, bowing outward toward the mall and the Lincoln Memorial.

    A curved interior wall defining the northwest side of the atrium continues the geometric pattern of the exterior, with three stories of offices visible behind a grid of windows. Radiant heating is provided via the Portuguese limestone floor.

    The undulating roof over this space, called the Ansary Peace Dove, is made of white glass supported by steel frames and covered on the inside by a translucent plastic film.

    This atrium is dedicated to public programs and conferences and, in Safdie's words, "serves as a public crossroads and meeting place, underscoring the notion of the institute as a community of participants."

    To one side of the atrium is a 230-seat auditorium designed to serve as the facility's global communications hub via built-in high-definition teleconferencing technology. The auditorium's ceiling is a series of rippling white curves and the walls are lined with a tasteful backlit wooden grillwork, which also help control the acoustics and, as Safdie put it, "keep the calmness in the room."

    That calm aura extends to a nearby press/ conference room, thanks in part to the blond wood trim and the ceiling's lining of transparent, acoustically absorbent fabric.

    On the other side of the Great Hall and down some stairs is the 20,000-square-foot (1,900-square-meter) Global Peacebuilding Center, a public, interactive educational resource dedicated to the theme of peacemaking.

    The institute's Congressional charter includes a mandate for public education, which the center will satisfy by welcoming groups of middle and high schoolers, as well as the general public, to explore multimedia exhibits and participate in related activities.

    The building's second atrium, located around the corner from the Great Hall and facing the Potomac River, is the focal point of the institute's office and research space. Behind the three stories of windows that line both sides of the 3,600-square-foot (330-square-meter) atrium are administrative offices, a library and archive, meeting rooms, and a conference center.

    Overhead, a section of the roof canopy — a simplified companion to the Great Hall's roof — forms a curved, peaked roofline. Down below, USIP employees gather in chairs and tables among a few potted trees to eat lunch, chat, and collaborate. Institute staff began working in the building in March 2011, just a few months after its completion at the end of 2010.

    The atria and extensive glazing help transmit daylight throughout the workspace, as well as providing views of the city and its monuments.

    Other sustainable features at the USIP building include high-efficiency condensing boilers, water-conserving plumbing fixtures, and paints and other finishes low in volatile organic compounds (VOCs).

    Since the $186 million building project was funded by a public-private partnership rather than by the U.S. General Services Administration, the rules of which strictly limit an architect's leeway, Safdie was able to influence the interior and furniture design. These tend toward sleek and classy, incorporating squares and gentle curves. The flowing yet geometric sensibility of the building and its interior create an ordered peacefulness.

    The USIP's satisfied employees — as described by Richard Solomon, the institute's director — are living proof that Safdie's design expresses what he intended. While their former headquarters space, in the National Restaurant Association building on 17th Street, reportedly left no one inspired, the institute's new home has some staff members waxing poetic.

    Robin Wright, a current USIP Senior Fellow, exclaimed with delight when she saw Safdie leading his tour through the building. "I love your building!" she told him. "I love the light. It makes me believe in God."

    For a building meant to express and evoke the better angels of human nature, this is praise indeed.   >>>

    Discuss this article in the Architecture Forum...

    Katherine Gustafson is a Washington, D.C.-based writer and editor who has also published in the Huffington Post, Johns Hopkins Magazine, and the Christian Science Monitor, among many others. Her first book, Change Comes to Dinner, about sustainable food, will be published in May 2012.   More by Katherine Gustafson



    ArchWeek Image

    A centerpiece of Moshe Safdie's design for the new U.S. Institute of Peace building is a south-facing atrium, called the Great Hall, that is covered by a white glass roof canopy, whose curving form resembles a dove in flight.
    Photo: Timothy Hursley Extra Large Image

    ArchWeek Image

    Bridges span the northern end of the Great Hall, connecting staff work spaces located on the fourth and fifth floors of the U.S. Institute of Peace.
    Photo: Timothy Hursley Extra Large Image

    ArchWeek Image

    U.S. Institute of Peace ground-floor plan drawing.
    Image: Safdie Architects Extra Large Image

    ArchWeek Image

    Near the northeastern corner of the building, a curved third-floor space serves as a foyer.
    Photo: Timothy Hursley Extra Large Image

    ArchWeek Image

    U.S. Institute of Peace east-west section drawing through the Great Hall, looking north.
    Image: Safdie Architects Extra Large Image

    ArchWeek Image

    The third-floor foyer curves through 90 degrees in plan, acting as a central circulation hub between the Great Hall and the secondary atrium.
    Photo: Kevin Matthews/ Artifice Images Extra Large Image

    ArchWeek Image

    U.S. Institute of Peace third-floor plan drawing.
    Image: Safdie Architects Extra Large Image

    ArchWeek Image

    The second atrium is a gently curving three-story volume whose glazed western end wall overlooks the Potomac River. The space serves as a staff gathering place.
    Photo: Timothy Hursley Extra Large Image


    Click on thumbnail images
    to view full-size pictures.

    < Prev Page Next Page > Send this to a friend       Subscribe       Contribute       Media Kit       Privacy       Comments
    ARCHWEEK  |  GREAT BUILDINGS  |  ARCHIPLANET  |  DISCUSSION  |  BOOKS  |  BLOGS  |  SEARCH © 2011 Artifice, Inc. - All Rights Reserved