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      <title>ArchitectureWeek: Contents</title>
      <link>http://www.ArchitectureWeek.com/</link>
      <description>Full issue contents of ArchitectureWeek - The magazine of design and building</description>
      <language>en-us</language>
      <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
      <lastBuildDate>Wed, 03 Mar 2010 23:59:00 GMT</lastBuildDate>
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      <generator>ArchitectureWeek Editorial System</generator>
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         <title>ANIMAL HOSPITAL, UNIVERSITY OF GLASGOW</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/news_2-1.html</link>
         <description>Seen on approach at just the right angle, it might be mistaken for a broad grassy hillside with a glass pavilion.As one circles around eastward, the "hillside" quickly opens up to reveal the upper green expanse as the roof of a building 8212; the new Small Animal Hospital at the University of Glasgow.</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/news_2-1.html</guid>
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      <item>
         <title>AIA NATIONAL DESIGN AWARDS 2010</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/news_3-1.html</link>
         <description>Among the brick buildings and live oaks at Rice University in Houston stands the Brochstein Pavilion, a cleanly patterned, rhythmic composition of glass and metal. With indoor and outdoor seating shaded from the Texas sun, this structure by Thomas Phifer and Partners offers a casual gathering space in the central quad, inviting activity while blending into the existing campus fabric.The pavilion was among the 28 projects recognized by the American Institute of Architects in its 2010 AIA Institute Honor Awards.</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/news_3-1.html</guid>
      </item>
      <item>
         <title>PUGH + SCARPA AIA FIRM AWARD 2010</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/news_4-1.html</link>
         <description>It's not easy to pigeonhole Pugh  Scarpa Architects. And that's the way partners Gwynne Pugh, Larry Scarpa, and Angela Brooks like it.

The buildings they create are dynamic, many with colorful, angular, patterned facades that exude a sense of whimsical energy. Even at its most eyecatching, the work is also decisively rooted in function and energy efficiency. The firm has also established a substantial portfolio of affordable housing projects.</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/news_4-1.html</guid>
      </item>
      <item>
         <title>GUY PETERSON'S FLORIDA MODERNISM</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/design_1-1.html</link>
         <description>Guy Peterson, FAIA, draws on the Sarasota School of Architecture and other influences to create a variety of Florida regional modernism. Peterson spoke with author Saxon Henry about his design philosophy and process. 8212;nbsp;Editor

Saxon Henry: Why do you think that architects like Mies and Le Corbusier, who were being studied at Harvard during Rudolph's time, have had such an effect on your design philosophies</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/design_1-1.html</guid>
      </item>
      <item>
         <title>BECHTLER MUSEUM BY BOTTA</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/design_2-1.html</link>
         <description>Clad in a glazed terra cotta tile that lends it an orange hue and a sleek feel, the Bechtler Museum of Modern Art in Charlotte, North Carolina, shows Swiss architect Mario Botta shifting subtly from his signature brick and stone.</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/design_2-1.html</guid>
      </item>
      <item>
         <title>ESHERICK'S  CARY HOUSE</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/design_3-1.html</link>
         <description>The Cary House in Mill Valley, California 1961 was a pivotal project for Joseph Esherick, gathering in the experience and the formal explorations of the gable and chalet manners and looking forward to the singleslope roofs that became the icon of the Sea Ranch style. </description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/design_3-1.html</guid>
      </item>
      <item>
         <title>HOLL'S LINKED HYBRID</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/design_4-1.html</link>
         <description>China's recent willinginess to be an architectural testing ground has left it with a fair share of question marks dotting urban horizons, but in Linked Hybrid the gamble may have paid off.  The bold, highend residential complex in Beijing, by Steven Holl Architects,  offers a more pervasive and open sense of neighborhood than most other modern highrise housing in the city.</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/design_4-1.html</guid>
      </item>
      <item>
         <title>WROUGHT AND CAST IRON STRUCTURES</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/building_1-1.html</link>
         <description>Focusing on structural engineering issues involved in the repair, restoration, or adaptive reuse of older buildings for which drawings no longer exist, this article is the seventh in a series about antiquated structural systems that can be adapted or reanalyzed for safe reuse. 8212;nbsp;Editor</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/building_1-1.html</guid>
      </item>
      <item>
         <title>HOUSE BY HOUSE</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/building_2-1.html</link>
         <description>By the time I saw Lloyd House's "Leaf House," then the sauna he built, I realized he was the builder of my dreams. He did things I'd never seen a builder do. He was tuned deeply into his materials and surroundings, and there was joy and wit in addition to master craftsmanship. Here was a builder able to carry through on his own designs to the last detail. His creations took my breath away. When I came upon the sauna, I was stunned. </description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/building_2-1.html</guid>
      </item>
      <item>
         <title>STRUCTURES IN REVIT</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/tools_1-1.html</link>
         <description>An important thing to understand about Revit Structure, and its approach to structural modeling, is that it is objectoriented rather than linebased as in traditional 2D drafting.</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/tools_1-1.html</guid>
      </item>
      <item>
         <title>GSA'S GREEN OFFICE BUILDINGS</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/environment_1-1.html</link>
         <description>Kevin Kampschroer was recently named the permanent director of the Office of Federal HighPerformance Green Buildings in the U.S. General Services Administration GSA. Here's some of his perspective on green building, as shared with Congress in testimony on converting federal buildings across the country into higherperforming, moreefficient green buildings. 8212;nbsp;Editor</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/environment_1-1.html</guid>
      </item>
      <item>
         <title>YALE'S GREEN ARK</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/environment_2-1.html</link>
         <description>Every so often, an exceptional work of architecture emerges from an opportune convergence of just the right client working with just the right team of architects, engineers, and consultants on a building that is just right for the times. Kroon Hall at Yale University is one of these.</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/environment_2-1.html</guid>
      </item>
      <item>
         <title>ROYAL GOLD MEDAL FOR I.M. PEI</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/culture_1-1.html</link>
         <description>The RIBA Royal Gold Medal for 2010 goes to an architect whose renown has been built over several decades of consistently producing a very particular kind of structure 8212; often aspired to, rarely achieved. 

The characteristic buildings of I.M. Pei stand serene with the elemental dignity of high modernism, while at the same time expressing both the dynamism of muscular structural sculpture and the deep subtle touches of sensitivity to context.</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/culture_1-1.html</guid>
      </item>
      <item>
         <title>GOTHIC KALEIDOSCOPE</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/culture_2-1.html</link>
         <description>The Gothic style flourished in Central Europe during the late Gothic period, with many of the most exciting innovations in vault design found in churches built in the regions of presentday Germany and the Czech Republic. </description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/culture_2-1.html</guid>
      </item>
      <item>
         <title>TRANSPARENCY IN PRESERVATION</title>
         <link>http://www.ArchitectureWeek.com/2010/0303/culture_3-1.html</link>
         <description>Continuity and the ability to recognize original design intent is critical to the preservation of modern architecture. Original design intent is the visual and conceptual expression of the designer's creativity and therefore informs every aspect of both the building and its construction.</description>
         <pubDate>Wed, 03 Mar 2010 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2010/0303/culture_3-1.html</guid>
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