document.writeln("<table><tr><!-- Design Story INTRO --><td align=left valign=top width=25%><a href=http://www.ArchitectureWeek.com/2006/0816/design_1-1.html><img src=http://www.ArchitectureWeek.com/2006/0816/images/13165_image_1.150.jpg width=150 height=150 border=0 alt='ArchWeek Image'></a></td><td align=left valign=top width=75%><p style='text-align: left'><a href=http://www.ArchitectureWeek.com/2006/0816/design_1-1.html><font size=+0 face=Helvetica,Arial color=#000000>FACULTY OF MUSIC</font></a></p><p style='text-align: left'><i>'Everything happens as if there were one-to-one oscillations between symmetry, order, rationality, and asymmetry, disorder, irrationality in the reactions between the epochs of civilizations. My own musical research on sounds with continuous variation in relation to time [...] led me to lean towards geometric structures based on straight lines: ruled surfaces'</i> Iannis Xenakis, Greek composer and architect (1922 - 2001)</p><p style='text-align: right'><a href=http://www.ArchitectureWeek.com/2006/0816/design_1-1.html><img src=http://www.ArchitectureWeek.com/images/continue.gif width=96 height=22 border=0 alt=Continue...></a></p></td></tr></table>");