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      <title>ArchitectureWeek: Contents</title>
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      <description>Full issue contents of ArchitectureWeek - The magazine of design and building</description>
      <language>en-us</language>
      <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
      <lastBuildDate>Wed, 01 Feb 2006 23:59:00 GMT</lastBuildDate>
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      <generator>ArchitectureWeek Editorial System</generator>
      <managingEditor>editor@architectureweek.com</managingEditor>
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         <title>AIA AWARDS TO PREDOCK, THORNCROWN, MOORE RUBLE YUDELL</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/news_1-1.html</link>
         <description>The American Institute of Architects has announced three of its most prestigious annual national awards  to an architect, a firm, and a timeless building. Antoine Predock, FAIA, will receive The 2006 AIA Gold Medal; Moore Ruble Yudell Architects  Planners, the Architecture Firm Award; and Thorncrown Chapel is being honored with the AIA's Twentyfive Year Award.</description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/news_1-1.html</guid>
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      <item>
         <title>CHICAGO AIA AWARDS</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/news_2-1.html</link>
         <description>From a single family house in Chicago's DePaul neighborhood to a massive train station built within a European airport, a new collection of projects has once again demonstrated that "great architects and great architecture remain an enormous part of Chicago's identity." So said Thomas Kerwin, AIA, thenpresident of the city's chapter of the American Institute of Architects, when he recently announced the organization's design award recipients.</description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/news_2-1.html</guid>
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         <title>OF GLASS AND WARMTH AND WOOD</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/design_1-1.html</link>
         <description>When a theological seminary commissioned a worship space that would be timeless, spiritually uplifting, and ecumenical, architect Joan Soranno returned to first principles, posing to herself the question: "what is each individual's relationship to God" In a striking play of form and material, her answer offers a fresh take on religious architecture.</description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/design_1-1.html</guid>
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      <item>
         <title>LIBRARY ENLIGHTENED</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/design_2-1.html</link>
         <description>The original Skillman Library was always a bit of an arsenal for books. Designed by Philadelphia architect Vincent Kling and constructed in 1963 on the campus of Lafayette College, Easton, Pennsylvania, it was a limestone and brick fortress with narrow slit windows and all the warmth of a bunker. The design of the limestone cornice at the building's top even suggested battlements.</description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/design_2-1.html</guid>
      </item>
      <item>
         <title>BALTIMORE BERYL</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/design_3-1.html</link>
         <description>The 179yearold Maryland Institute College of Art MICA is one of the cultural gems of Baltimore, a city that seldom receives the recognition it deserves for its rhythmic 19thcentury classical architecture, occasionally edgy 20thcentury modernism, and outstanding cultural and educational institutions.</description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/design_3-1.html</guid>
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      <item>
         <title>CANADIAN WAR MUSEUM</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/building_1-1.html</link>
         <description>Designers of the new Canadian War Museum in Ottawa, Ontario could have merely created a protective envelope for Canada's wartime artifacts. Instead they designed a monumental structure to inspire a nation by integrating artistic symbolism with pragmatic innovation.</description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/building_1-1.html</guid>
      </item>
      <item>
         <title>BUILDER'S GUIDE TO PERIMETER SLAB INSULATION</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/building_2-1.html</link>
         <description>The foundation of a house is a somewhat invisible and sometimes ignored component of the building. It is increasingly evident, however, that attention to good foundation design and construction has significant benefits to the homeowner and the builder, and can avoid some serious future problems.

Good foundation design and construction practice means not only insulating to save energy, but also providing effective structural design as well as moisture, termite, and radon control techniques where appropriate.</description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/building_2-1.html</guid>
      </item>
      <item>
         <title>ENGINEERING KOOLHAAS</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/tools_1-1.html</link>
         <description>To support the rapid expansion of China Central Television CCTV, an international design competition was launched in 2002 for a centralized headquarters building in Beijing. Winning the commission was Rem Koolhaas Office for Metropolitan Architecture, OMA, teamed with engineering firm Arup and the East China Architecture and Design Institute as both architect and engineer of record. Koolhaas imagined a building whose three dimensional form brings CCTV's staff and functions into a "continuous tube." This is part of the story of the engineering challenge.  Editor</description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/tools_1-1.html</guid>
      </item>
      <item>
         <title>RACE TO THE SUN</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/environment_1-1.html</link>
         <description>Seventeen teams of North American architecture and engineering students, joined by a team from Spain, have shown how their generation of design professionals is preparing for a responsible, lowenergy future. These students met in Washington DC in October 2005 to participate in the Solar Decathlon on the National Mall. There, the teams assembled solarpowered houses that they had designed, and they demonstrated various technologies to the visiting public.</description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/environment_1-1.html</guid>
      </item>
      <item>
         <title>DESIGN TO SURVIVE</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/environment_2-1.html</link>
         <description>In December, 2005, the American Institute of Architects Board of Directors adopted a position statement they hope will "transform the profession to emphasize sustainability." In the absence of federal leadership on this issue, the AIA recognizes the need for design professionals to find solutions to serious global problems. In the following letter to the construction industry, a veteran environmental activist architect discusses what this means to practitioners.  Editor</description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/environment_2-1.html</guid>
      </item>
      <item>
         <title>A MODERN MORE OR LESS HUMANE</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/culture_1-1.html</link>
         <description>Since before its completion in 2002, Stephen Holl's awardwinning MIT dormitory, Simmons Hall, has been garnering praise from the architectural community. But assessing a building as a professional critic is different from living in and interacting with it. I wondered how the students who lived there felt about it.</description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/culture_1-1.html</guid>
      </item>
      <item>
         <title>HOUSE OF SERT</title>
         <link>http://www.ArchitectureWeek.com/2006/0201/culture_2-1.html</link>
         <description>Spanish architect Josep Llus Sert 19021983 is perhaps best known for his buildings and urbanscale projects. As a member of GATEPAC "Group of Spanish Architects and Technicians for the Progress of Contemporary Architecture", he was concerned with the role of architects in city planning. And yet he was also a master of smallscale interior and furniture design. Some of his favorite forms were inspired by vernacular houses.  Editor </description>
         <pubDate>Wed, 01 Feb 2006 23:59:00 GMT</pubDate>
         <guid>http://www.ArchitectureWeek.com/2006/0201/culture_2-1.html</guid>
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