document.writeln("<table><tr><!-- Culture Story INTRO --><td align=left valign=top width=25%><a href=http://www.ArchitectureWeek.com/2005/0727/culture_1-1.html><img src=http://www.ArchitectureWeek.com/2005/0727/images/12760_image_1.150.jpg width=150 height=150 border=0 alt='ArchWeek Image'></a></td><td align=left valign=top width=75%><p style='text-align: left'><a href=http://www.ArchitectureWeek.com/2005/0727/culture_1-1.html><font size=+0 face=Helvetica,Arial color=#000000>ALEXANDER CENTERING</font></a></p><p style='text-align: left'><i>From his early <a href='/cgi-bin/wlk?http://www.amazon.com/exec/obidos/ASIN/0674627512/artificeinc'>Notes of the Synthesis of Form</a>, to the bestselling <a href='/cgi-bin/wlk?http://www.ArchitectureWeek.com/cgi-bin/wlk?http://www.amazon.com/exec/obidos/ASIN/0195019199/artificeinc'>A Pattern Language</a>, to the recent four-volume <a href='/cgi-bin/wlk?http://www.amazon.com/exec/obidos/tg/stores/series/-/55505/ref=pd_sr_ec_ser_b/102-4729119-4490504'>The Nature of Order</a>, over several decades <a href='http://www.greatbuildings.com/architects/Christopher_Alexander.html'>Christopher Alexander</a> has pushed intellectual boundaries with integrative approaches to design theory. We are pleased to present this excerpt, formatted according to the original and unedited at the author's request, in which Alexander describes a design process from the 1980s using the terms of his own theoretical framework.</i> — Editor</p><p style='text-align: right'><a href=http://www.ArchitectureWeek.com/2005/0727/culture_1-1.html><img src=http://www.ArchitectureWeek.com/images/continue.gif width=96 height=22 border=0 alt=Continue...></a></p></td></tr></table>");
