document.writeln("<table><tr><!-- News Story INTRO --><td align=left valign=top width=25%><a href=http://www.ArchitectureWeek.com/2005/0622/news_1-1.html><img src=http://www.ArchitectureWeek.com/2005/0622/images/12729_image_1.150.jpg width=150 height=150 border=0 alt='ArchWeek Image'></a></td><td align=left valign=top width=75%><p style='text-align: left'><a href=http://www.ArchitectureWeek.com/2005/0622/news_1-1.html><font size=+0 face=Helvetica,Arial color=#000000>ICELANDIC CLARIFICATIONS</font></a></p><p style='text-align: left'>Unlike most of Europe, Iceland has no stained-glass tradition dating back to the Middle Ages. Windows were imported until the 20th century. Against this backdrop, in April 2005, artists, curators, critics, and scholars from 14 countries gathered at Kópavogur for <a href='/cgi-bin/wlk?http://www.iceland2005.is'>Iceland 2005: Architectural Glass Conference</a>.</p><p style='text-align: left'>Hosted by the <a href='/cgi-bin/wlk?http://www.gerdarsafn.is/e_nn/index_museum.html'>Kópavogur Art Museum</a>, participants enjoyed a comprehensive overview of the extraordinary developments in architectural glass art since the 1950s and speculated about the future of the art form.</p><p style='text-align: right'><a href=http://www.ArchitectureWeek.com/2005/0622/news_1-1.html><img src=http://www.ArchitectureWeek.com/images/continue.gif width=96 height=22 border=0 alt=Continue...></a></p></td></tr></table>");
