document.writeln("<table><tr><!-- Culture Story INTRO --><td align=left valign=top width=25%><a href=http://www.ArchitectureWeek.com/2004/0707/culture_1-1.html><img src=http://www.ArchitectureWeek.com/2004/0707/images/12459_image_1.150.jpg width=150 height=150 border=0 alt='ArchWeek Image'></a></td><td align=left valign=top width=75%><p style='text-align: left'><a href=http://www.ArchitectureWeek.com/2004/0707/culture_1-1.html><font size=+0 face=Helvetica,Arial color=#000000>SCREENS TO INFINITY</font></a></p><p style='text-align: left'><i>In the 1950s, Austrian-born sculptor Erwin Hauer designed and built architectural screens and walls whose complex and intriguing geometry attracted much admiration at the time. But they have been largely forgotten, and some have even been destroyed. Here are his thoughts on one example of this extraordinary work.</i> — Editor</p><p style='text-align: right'><a href=http://www.ArchitectureWeek.com/2004/0707/culture_1-1.html><img src=http://www.ArchitectureWeek.com/images/continue.gif width=96 height=22 border=0 alt=Continue...></a></p></td></tr></table>");
