document.writeln("<table><tr><!-- News Story INTRO --><td align=left valign=top width=25%><a href=http://www.ArchitectureWeek.com/2004/0107/news_1-1.html><img src=http://www.ArchitectureWeek.com/2004/0107/images/12340_image_2.150.jpg width=150 height=150 border=0 alt='ArchWeek Image'></a></td><td align=left valign=top width=75%><p style='text-align: left'><a href=http://www.ArchitectureWeek.com/2004/0107/news_1-1.html><font size=+0 face=Helvetica,Arial color=#000000>HIGH MUSEUM REILLUMINATED</font></a></p><p style='text-align: left'><i>'Light, whether direct or filtered, admitted through skylights, ribbon glazing, clerestory strips, or minimal perforations in the panel wall, is a consistent preoccupation throughout; apart from its functional aspect, [light] is a symbol of the museum's role as a place of aesthetic illumination and enlightened cultural values. The primary intention of the architecture is to encourage the discovery of these values, and to foster a contemplative appreciation of the museum's collection through its own spatial experience.'</i> — Richard Meier, from <i>Richard Meier: Architect</i></p><p style='text-align: right'><a href=http://www.ArchitectureWeek.com/2004/0107/news_1-1.html><img src=http://www.ArchitectureWeek.com/images/continue.gif width=96 height=22 border=0 alt=Continue...></a></p></td></tr></table>");
