document.writeln("<table><tr><!-- Environment Story INTRO --><td align=left valign=top width=25%><a href=http://www.ArchitectureWeek.com/2003/1105/environment_1-1.html><img src=http://www.ArchitectureWeek.com/2003/1105/images/12306_image_1.150.jpg width=150 height=150 border=0 alt='ArchWeek Image'></a></td><td align=left valign=top width=75%><p style='text-align: left'><a href=http://www.ArchitectureWeek.com/2003/1105/environment_1-1.html><font size=+0 face=Helvetica,Arial color=#000000>PIANO'S BEYELER FOUNDATION MUSEUM</font></a></p><p style='text-align: left'>Modern-art collector Ernst Beyeler wanted a tranquil, naturally lit environment for his paintings, despite conventional wisdom that would exclude all sunlight from most art collections. He had been impressed by the building designed by Italian architect <a href='http://www.greatbuildings.com/architects/Renzo_Piano.html'>Renzo Piano</a> for the <a href='http://www.greatbuildings.com/buildings/Menil_Collection.html'>Menil Collection</a> — a nonmonumental space open to contact with nature, facilitating a direct and relaxed relationship between visitor and artifact.</p><p style='text-align: right'><a href=http://www.ArchitectureWeek.com/2003/1105/environment_1-1.html><img src=http://www.ArchitectureWeek.com/images/continue.gif width=96 height=22 border=0 alt=Continue...></a></p></td></tr></table>");
