document.writeln("<table><tr><!-- Design Story INTRO --><td align=left valign=top width=25%><a href=http://www.ArchitectureWeek.com/2003/1105/design_1-1.html><img src=http://www.ArchitectureWeek.com/2003/1105/images/12305_image_1.150.jpg width=150 height=150 border=0 alt='ArchWeek Image'></a></td><td align=left valign=top width=75%><p style='text-align: left'><a href=http://www.ArchitectureWeek.com/2003/1105/design_1-1.html><font size=+0 face=Helvetica,Arial color=#000000>CONCEPTUALLY IN BETWEEN</font></a></p><p style='text-align: left'><i>Architects and glass artists in Portland, Oregon collaborated in designing and building chandeliers in a 2001 project called <a href='/cgi-bin/wlk?http://www.architectureweek.com/2002/0424/culture_3-1.html'>Multiplied Light</a>. This year, architectural critic Randy Gragg curated a second experiment: to form glass and steel into architectural screens and to explore what he presents as a fundamental condition of architecture, 'betweenness.'</i> — Editor</p><p style='text-align: right'><a href=http://www.ArchitectureWeek.com/2003/1105/design_1-1.html><img src=http://www.ArchitectureWeek.com/images/continue.gif width=96 height=22 border=0 alt=Continue...></a></p></td></tr></table>");
