document.writeln("<table><tr><!-- Culture Story INTRO --><td align=left valign=top width=25%><a href=http://www.ArchitectureWeek.com/2003/0903/culture_1-1.html><img src=http://www.ArchitectureWeek.com/2003/0903/images/12250_image_1.150.jpg width=150 height=150 border=0 alt='ArchWeek Image'></a></td><td align=left valign=top width=75%><p style='text-align: left'><a href=http://www.ArchitectureWeek.com/2003/0903/culture_1-1.html><font size=+0 face=Helvetica,Arial color=#000000>ALFRED WATERHOUSE'S TERRACOTTA MENAGERIE</font></a></p><p style='text-align: left'><i>When British architect <a href='http://www.greatbuildings.com/architects/Alfred_Waterhouse.html'>Alfred Waterhouse</a> designed a Gothic revival building for London's <a href='http://www.greatbuildings.com/buildings/Museum_of_Natural_History.html'>Natural History Museum</a>, he integrated into its structure sculptures of some of the flora and fauna that would be featured in the exhibits. Terracotta monkeys climb the interior arches; flowers grace exterior columns. Some recently published pencil drawings by the architect/ naturalist give an insight into the Victorian Waterhouse's approach to ornament for the museum.</i> — Editor</p><p style='text-align: right'><a href=http://www.ArchitectureWeek.com/2003/0903/culture_1-1.html><img src=http://www.ArchitectureWeek.com/images/continue.gif width=96 height=22 border=0 alt=Continue...></a></p></td></tr></table>");
