The opening of a new building designed by world-renowned architect Tadao Ando of Osaka, Japan at the end of 2002 marked the 110th anniversary of The Modern Art Museum of Fort Worth. With 53,000 square feet (4,900 square meters) of gallery space, the new structure for "The Modern," as it is known by locals, is Ando's largest commission in the United States to date.
OMD'S PORTABLE ARCHITECTURE
"Nearly every American house I've lived in has long ago been demolished to make room for some other building. There is a delicious (though painful) paradox here: Americans long for stability, but all they get is stationary impermanence. No wonder then many of us long to become permanent nomads, snails with houses on our backs, Touareg tribesmen, and Gypsies." — Poet Andrei Codrescu, from his introduction to Mobile: The Art of Portable Architecture by Jennifer Siegal
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Dear ArchitectureWeek,
John Hejduk's work is mystical. That aspect of his architecture became stronger toward the end of his career along with his projects' narrative power. (Hejduk, the dean of the architecture program at Cooper Union for more than two decades, died in 2000.) The exhibit, "Sanctuaries: The Last Works of John Hejduk," recently at the Whitney Museum of American Art in New York, was a compact show that explored the mystical side of his work.