document.writeln("<table><tr><!-- Building Story INTRO --><td align=left valign=top width=25%><a href=http://www.ArchitectureWeek.com/2002/1218/building_1-1.html><img src=http://www.ArchitectureWeek.com/2002/1218/images/12008_image_2.150.jpg width=150 height=150 border=0 alt='ArchWeek Image'></a></td><td align=left valign=top width=75%><p style='text-align: left'><a href=http://www.ArchitectureWeek.com/2002/1218/building_1-1.html><font size=+0 face=Helvetica,Arial color=#000000>2X4 SPACE SCULPTURE</font></a></p><p style='text-align: left'>In the summer of 2002, the Center on Contemporary Art in Seattle hosted an exhibit called '<a href='/cgi-bin/wlk?http://www.cocaseattle.org/blurred'>Blurred</a>,' featuring work that blurs the boundaries between art and architecture. As an experiment for the show, designer James Harrison built a room-size structure by stacking short lengths of wood. Every piece was a two-foot long 2x4 (3.8 by 8.9 by 61 centimeters). 'The idea,' says Harrison, who was trained in both architecture and sculpture, 'was to see how much plasticity I could achieve out of a regularly repeated module.' It took him two days to cut the blocks and five days to stack them.</p><p style='text-align: right'><a href=http://www.ArchitectureWeek.com/2002/1218/building_1-1.html><img src=http://www.ArchitectureWeek.com/images/continue.gif width=96 height=22 border=0 alt=Continue...></a></p></td></tr></table>");
