document.writeln("<table><tr><!-- Culture Story INTRO --><td align=left valign=top width=25%><a href=http://www.ArchitectureWeek.com/2002/1204/culture_1-1.html><img src=http://www.ArchitectureWeek.com/2002/1204/images/11998_image_1.150.jpg width=150 height=150 border=0 alt='ArchWeek Image'></a></td><td align=left valign=top width=75%><p style='text-align: left'><a href=http://www.ArchitectureWeek.com/2002/1204/culture_1-1.html><font size=+0 face=Helvetica,Arial color=#000000>REMEMBERING A BARRAGÁN LANDSCAPE</font></a></p><p style='text-align: left'>In 1945, renowned Mexican architect <a href='http://www.GreatBuildings.com/architects/Luis_Barragan.html'>Luis Barragán</a> began work on the Gardens of El Pedregal, a subdivision in Mexico City dotted with plazas, fountains, ponds, cacti, and pepper trees. He considered El Pedregal his most important project, and critics have described the houses and gardens there as a turning point in Mexican modern architecture. Reflecting the fragility of public landscapes, many of these elements were long ago modified or destroyed.</p><p style='text-align: right'><a href=http://www.ArchitectureWeek.com/2002/1204/culture_1-1.html><img src=http://www.ArchitectureWeek.com/images/continue.gif width=96 height=22 border=0 alt=Continue...></a></p></td></tr></table>");
