document.writeln("<table><tr><!-- Design Story INTRO --><td align=left valign=top width=25%><a href=http://www.ArchitectureWeek.com/2002/1113/design_1-1.html><img src=http://www.ArchitectureWeek.com/2002/1113/images/11981_image_1.150.jpg width=150 height=150 border=0 alt='ArchWeek Image'></a></td><td align=left valign=top width=75%><p style='text-align: left'><a href=http://www.ArchitectureWeek.com/2002/1113/design_1-1.html><font size=+0 face=Helvetica,Arial color=#000000>PLAYING UPON THE STAGE</font></a></p><p style='text-align: left'>'All the world's a stage,' William Shakespeare wrote in <i>As You Like It,</i> but if he were performing in the 21st century, he'd probably take advantage of recent innovations in indoor theater design. In the spirit of the Elizabethan bard, a new building at the Oregon Shakespeare Festival in Ashland resets the standard for flexibility in repertory theaters.</p><p style='text-align: right'><a href=http://www.ArchitectureWeek.com/2002/1113/design_1-1.html><img src=http://www.ArchitectureWeek.com/images/continue.gif width=96 height=22 border=0 alt=Continue...></a></p></td></tr></table>");
