There is a continuing and apparently powerful, if somewhat perverse, urge to write architecture off as dead. In fact the evidence points rather to the contrary. Charles Jencks, the critic who defined Postmodemism, a style that must itself be just on the edge of an irony-soaked rediscovery, used to confine himself to proclaiming the demise of Modernism.
ISRAEL'S AMBASSADOR IN STONE
This was to be Israel's first embassy in Berlin, the same city in which, almost 60 years ago, the then-ruling Nazis decided on a "final solution." That death sentence for millions of Jews is now commemorated in six stone pillars at the building's entrance.
In designing the embassy, the architects were faced with the challenge of finding a symbolically appropriate architectural expression, while refraining from monumentalism. Tel Aviv architect Orit Willenberg-Giladi worked in collaboration with German architect Wolfgang Keilholz.
ERSKINE'S MILLENNIUM VILLAGE
Innovation and sustainability are the two key drivers for the new Greenwich Millennium Village in southeast London. It is an ambitious mixed-use development being built according to a master plan by architect Ralph Erskine using the latest sustainable methods and materials.
The £250 million project, being constructed in phases over a five-year period, saw its first occupants in late 2000. For the first phase, Erskine was also design architect, with EPR as production architect.