REAL DILEMMA FOR TIFFANY DREAM GARDEN

Where does architecture end and interior art begin? In Philadelphia this question revolves around The Dream Garden, a mural designed by the Tiffany Studios in 1916. It was installed in the headquarters of The Curtis Publishing Company which had been designed by architect Edgar Seeler in 1910. The mural's fate now hinges on whether it is entitled to the same protections as historic architecture under the strong local historic preservation code.

PRESERVING JERUSALEM

In Jerusalem, as in many old cities around the world, there is a constant need to balance the historic with the modern. Tens of civilizations have left their mark in this city during its 4000-year-old history. The inhabitants, after centuries of living within the city walls, began in the second half of the 19th century to move outside the walls.

LOUIS SULLIVAN'S BRADLEY HOUSE

Though perhaps best known for his public buildings in late 19th century Chicago, Louis Sullivan was also a superb residential architect, master of the style later developed further by Frank Lloyd Wright. One of Sullivan's finest examples is the Bradley House, 1910. A comparison of the completed house to its preliminary design drawings reveals much about the master's thought processes.

DANCING ABOUT ARCHITECTURE

It has been cynically noted that writing about music is like dancing about architecture. Yes, it can be complicated and difficult to express the beauty and passion of one art form through another. But when it works—ahhh!

There was a big "ahhh!" in Chicago this past summer.

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